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It’s the early 1990s and 13-year-old Valerie, a gifted novice singer, is given the chance to become a member of a world-famous girls’ choir, taking her place alongside her older sister and her other rivals in the ensemble. Everything points to the fact that Valerie’s exceptional talent has caught the attention of the formidable and much admired choirmaster. This highly anticipated psychological drama calls to mind not only the notorious case of Bambini di Praga, but also other devastating situations involving the clash of innocence and abusive authority.
In one fairytale land, people lived contentedly for many years, they had their usual joys and worries, they enjoyed the surrounding nature, the majestic forest. In addition to wild animals, birds and butterflies, fairies, goblins, dwarves and other magical and more or less charming creatures, invisible to the human eye, lived here. The rulers of the forest gave the strigóns Bendegúz and Sebela a magical stone that had the power to fulfill human wishes. The Strigôn made a bet whether people would abuse the power of the magic stone or use it for good deeds. Accompanied by the butler Vendelín and sister Júlia, the young count Henrich arrives at the estate, whose task is to improve the property and learn how to farm. Henrich, who has huge debts and a lot of negative character traits, has a different intention. He decides to cut down the forest. However, not only the inhabitants of the forest stand in his way, but also the miller Matúš and his sister, Countess Júlia.
Lukas' mother has the last hours of her life left. Her biggest wish is for Lukas to have a child. So Lukas asks his neighbor Natalie, who is five months pregnant, to visit his mother in the hospital and tell her that she is going to have his baby. His mother is finally happy - Lukas fulfilled her greatest wish. Soon after, they receive some very happy news - a new heart donor has been found. After the operation, Lukas and Natalie must keep up the act to avoid upsetting his recovering mother. As they play the devoted couple, the web of lies expands, ensnaring family friends and Lukas's colleagues. The deception starts to turn Lukas's life upside down.
A tragicomedy full of slapstick and vignettes, and even an unexpected shootout. A family of villagers moves up in the world - to the county seat. Dad works as a butcher at a meatpacking plant, mom is a checker at a supermarket. The daughter is at odds with her homeroom teacher, while the son - a vegetarian, anarchist, and avid pothead - is apprenticing as a butcher to please his father. The kid's in hot water with both his forewoman and the police. But dad isn't much of an example, letting himself be tempted by the charms of a lovely young butcher. However much mom tries - visiting the beauty parlor, her psychologist, or even the confessional - her husband shows his interest by moving out. Mom plots revenge. And somehow an imp gets mixed up in it all
Radio correspondent Karel Beran returns briefly to Prague from the Middle East due to an anonymous tip, but a revolution suddenly breaks out in Kambur just then. To fulfill his duty, he fabricates live reports from his Vinohrady apartment, simulating the uprising’s sounds with kitchen appliances. When Czech Radio decides to send a support team, he faces an impossible choice: admit the deception or stage his own death.
T. Dianiška's documentary fiction from behind the scenes of the assassination of R. Heydrich, in which the real story is intertwined with comic exaggeration, pop culture references, and harsh humor. 294 Brave Men was written by Tomáš Dianiška for the Divadlo po Palmovkou theater, where he also staged it with the local ensemble. As the title of the play suggests, the protagonists of Operation Anthropoid are not the main heroes in this case. 294 Brave Men refers to the people from the domestic resistance who paid with their lives for helping the paratroopers and whose names are now borne by streets in Libeň and the surrounding Prague districts. T. Dianiška treats historical facts with respect, but at the same time quite freely, and he depicts the background of "the greatest heroic deed in our history" with the help of humor, often very dark humor.
