
Nande Walters
Directing
Biography
Nande Walters, is a filmmaker, artist, and aspiring archivist from South Florida based in Brooklyn, NY. She's interested in diaristic documentaries, artist books, poetry, and historical and archival research. Her work centers personal experiences, family history, and Black studies. Nande earned a Film/Video BFA from Pratt Institute in 2023 and is pursuing a Masters in Library Science in 2024.
Known For

"A socially anxious college student reluctantly heads to a party attempting to make new friends. Nande Walters directs “Who Are You Really?”, an experimental portrait of insecurity characterized by a raw, youthful energy. Anya walks into the room and immediately feels like everyone is judging her. Eventually she strikes up a conversation with a young man, but neither really knows what to say and it doesn’t go anywhere. After struggling through the awkward night, she’s surprised to learn that an extroverted friend didn’t fare much better. Walters is only 19 years old, one of the youngest we’ve ever featured on NoBudge, and her film is the work of an artist still learning her craft but she clearly knows the feeling she’s after and captures it with pops of style and a touching closing monologue." -Kentucker Audley
Who Are You Really?

Leyla and Aksel's friendship is tested with a disagreement that affects them both substantially.
You Have No Idea

Soon Come Back is a poetic documentary about migration’s effect on Nande's relationships to “home” in Jamaica and the US, and her feelings of alienation being a child of the diaspora.
Soon Come Back

October 2021. The small apartment of a girl making a film. Laundry piles on the desk chair, tender karaoke in the living room, and a needy cat that makes life worth living. Mundane moments immortalized on SD cards and fleeting iPhone storage. Memories not worth remembering, yet cherished.
Something That Means Nothing (October)

Inspired by Rachel Moseley-Wood’s essay “The Other Jamaica”, Damian Marley’s controversial song “Welcome to Jamrock”, and juxtaposed views of Jamaica via tourism and marginalized Jamaicans. This short animation uses found film of Jamaica in the 1930s-60s to manipulate the camera’s ethnographic points of view.