Oldřich Kovář

This naively filmed adventure story draws from Robert L. Stvenson's novel, but adapts it to its own devices. It tells the story of a young Czech who witnesses the deceitful actions of a ship owner. In fact, the villain is enriched by the plight of Bulgarian patriots fighting against Turkish rule on the eve of World War I.

When famous detective Nick Carter visits Prague, he becomes involved in strange case of a missing dog and even stranger carnivorous plant. He becomes convinced that he is standing against his greatest enemy, the Gardener, who supposedly died years ago in a swamp...

In 1897, in a castle near the town of Werewolfville in the Carpithians, a slightly deranged Professor Orfanik experiments with his new inventions which include, even at this early date, television and a film camera. He is also an obsessed opera fan, keeps the body of his favorite diva preserved in a crypt in the castle. In order to keep away nosy visitors, the baron's mad-scientist assistant invents all sorts of spooky phenomena in order to give the castle a creepy reputation.

During the First World War, the crooks Scholef and Krumka sell weapons on the black market. After the collapse of the monarchy they try their hand at speculation on a grand scale.

A communist journalist from Prague is sent to Ravensbruck concentration camp.

The musical version of the successful play of Oldřich Daněk was transferred to the screen by director Jiří Sequens in 1986. It takes place in the 14th century in Bohemia during the reign of King Wenceslas IV. Heroes of the story are three mercenaries who always fight on the wrong side and are always beaten, but they are moral winners of all conflicts and skirmishes.

In 18th century Bohemia, the mercenary troops of a cruel duke roam the countryside. A cap maker who defends himself against injustice is thrown into prison. His ten-year-old son tries to free his father with the help of his friends of the same age and a magic cap, but the duke's henchmen are soon after the magic cap.

In the era of normalisation, a number of (pseudo)historical films were made, even described as reconstructions, which glorified the world-building mission of the Communist Party and attributed to it exclusively humanitarian intentions ("Days of Betrayal", "Sokolovo", "Liberation of Prague", "The Victorious People"). In 1929, when its fifth congress met, Klement Gottwald, who had taken the line of the Russian Bolsheviks, took over the leadership of the Communists...

The honest and a bit naive director of a variety agency, Jožin Petránek, sits on the qualification committee that judges entertainers and performers of all kinds. The man firmly rejects any favouritism. But at work and at home, he's in for nothing but trouble. The rejected "artists" protest, and Jožin's wife Anna would like to promote her friend's daughter into show business. His new secretary Zuzana starts to seduce him. Petranek finally succumbs to the French chansonnier Madelaine. But Zuzana calls Mrs. Petrankova and she drives her husband away from the table and the bed. Eventually, Jozhin loses his position as director and becomes an ordinary stage recruiter. Now the real showbiz hype is just beginning for him...

A story of two boys who during the summer at a recreation area become best friends despite being enemies at first.

Several big-city teenagers are falsely accused of vandalizing a valuable organ, casting light on the hypocrisy of the adult world.

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

It is 1920, political unrest is growing in Prague and the Social Democrats are about to betray their historic mission by prioritising their own selfish interests instead of those of the working class. An extortionist scandal falls on the Social Democratic deputy Jandák, forcing him to renounce his convictions. Under these circumstances, the seriously ill Hungarian revolutionary Kerekes, who had to flee his homeland, is hiding in Prague...

The construction of a gigantic facility such as the Dukovany nuclear power plant requires only the most capable experts. Such is the engineer Hlaváč, who has been involved in the project from the very beginning as a construction manager. He has to deal with many problems, especially the lack of manpower. He is unfairly demoted to a lower position due to the intrigues of his subordinates and the alibi of the management, but time proves him right and by the time the plant is inaugurated, he is once again the main manager. But the demanding job takes its toll, his heart cannot withstand the frantic pace of work...

After five years of hard work in America Juraj Hordubal (Anatoliy Kuznetsov) returns back home. He is looking forward to his wife Polana (Libuse Geprtová) and his little daughter Hafie. The family and the village welcome him with hesitation. Everybody believed that Juraj died in America because Polana stopped receiving money from him already two years ago. Polana's farm was prospering first of all thanks to the young stable boy Stepán (Sándor Oszter). Men in the pub first indicate and then say to Juraj directly that Polana has been unfaithful to him with Stepán.

A group of soldiers is supposed to ensure the smooth nighttime passage of the military convoy through Prague, but things turn out differently. Eloquent young men convince the good-natured commander to sign a leave of absence, and the main character is left alone in the middle of a housing estate...

The story takes place in a retirement home and creates a mosaic of the lives of old people who are trying to find a relationship with themselves and with life in these specific conditions. Each of its residents has a distinctive approach to life and its basic values. The most interesting features of the title, which is marked by a visibly cold production approach, are the worthy performances of the actors of the older generation. Some of them appeared in front of the camera after many years and unfortunately for the last time.

Three stories from the school environment, mostly from the perspective of teachers. In the first story we see an unnecessarily strict teacher, in the middle one a sports career is glossed over, which causes a young teacher to leave his job. In the final story, on the other hand, an experienced high school teacher goes to teach in a rural school to gain inner peace.

It is a hot summer and two men meet by chance on the Black Sea on the Bulgarian coast. Once upon a time, their lives were fated by the love of a woman. A love that had a tragic ending. Years later, in the same place, the son meets the daughter of his mother's old boyfriend. And finally both father and son learn how the story culminated all those years ago.

A quarrel between divorced waitress Mája and her fifteen-year-old son Petr ends with the boy physically attacking his mother, and he is sent to an institution for juvenile delinquents.