
Jacqueline Pierreux
Acting
Biography
Jacqueline Pierreux (15 January 1923 – 10 March 2005) was a French film and television actress. From the early 1970s onwards she also enjoyed success as a producer. She was the wife of screenwriter Pierre Léaud and the mother of prolific film actor Jean-Pierre Léaud who starred in Francois Truffaut's The 400 Blows and Day For Night. Description above from the Wikipedia article Jacqueline Pierreux, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For

Three tales of supernatural horror include a woman plagued by threatening phone calls, a family targeted by vampiric monsters, and a deceased medium who wreaks havoc upon the living.
Black Sabbath

Igor, aged 15, and his father Roger deal in housing and peddling illicit labor in the outlying districts of Liege, Belgium. Scams, lies and swindling rule their lives. When one of his father’s illegal workers gets injured on the job and asks Igor to promise to take care of his wife and baby, Igor finds himself at a crossroad. He wants to keep the promise, but the price would be to betray his father.
La Promesse

A burnt-out New York psychoanalyst exchanges apartments with a Parisian woman. When his patients arrive, they talk to her and then pay. He returns early and becomes a patient as well.
A Couch in New York

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
We Are All Murderers

Ludovic is waiting for a miracle. With six-year-old certainty, she believes she was meant to be a little girl -- and that the mistake will soon be corrected. But where she expects the miraculous, Ludo finds only rejection, isolation, and guilt -- as the intense reactions of family, friends, and neighbors strip away every innocent lace and bauble.
My Life in Pink

Antonio goes to Rome to represent his fellow peasants, to request a highway that will be built in their region. But the guy is mastered by 'la dolce vita' and wastes the money entrusted to him for his mission. When Peppino is sent to to find out what happened, he lets himself be trapped by the gentle grip of 'la dolce vita'
Totò, Peppino and... the Sweet Life
Léo Fardier is a police inspector who goes to prison undercover as a convict. He shares a cell with Mariani, a Corsican mafioso, whose trust he earns. The day Léo leaves prison, the criminal entrusts him with a letter to deliver to his estranged wife. He finds her, and she falls under his spell. The problem is that he, too, has fallen in love with her.
Série noire

OSS 117 is asked for help by a female acquaintance Muriel Rousset. She beseeches him to retrieve secret documents which have been stolen from Sir Anthony Lead, the father of Anita and Marion. He complies with her wish and no obstacle or danger can hinder him from meeting her expectations.
OSS 117 Is Not Dead

Paris, 1933. The daughter of a respectable lower middle class couple, Violette Nozière, leads a disreputable double life. Far from being the innocent 18-year-old her parents mistake her for, she spends her nights with dissolute young men in the less salubrious areas of the city.
Violette Nozière

After their boss' death, two clerks eagerly await the arrival of the next one, each one of them hoping to become the apple of his eye. They compete in every possible way to impress him, which causes lots of trouble and many misunderstandings.
He Who Hesitates Is Lost

César Neira, an almost forgotten Spanish actor, gets involved by chance with Teresa, a teacher from a small village in the province of Cáceres, who has won a radio contest. The prize is a trip to Madrid to experience just for a fortnight the life of the famous and wealthy people.
La gran mentira

The Gangster Macheath secretly marries the daughter of beggar king Peachum. When Peachum finds out, he instructs the police chief Brown to arrest and hang Macheath. If not, all the beggars of Soho will disturb the upcoming coronation.
The Threepenny Opera

A man assists his gravely ill wife to die and wants to face justice for this, but his brothers try everything to keep the family's name clean.
Three Sinners

Between eleven o’clock and midnight one evening, a notorious trafficker Jérôme Vidauban is shot whilst walking in a tunnel in Paris. The case is assigned to Inspector Carrel, who is Vidauban’s perfect double. Using his resemblance to the arch criminal, Carrel manages to infiltrate in Vidauban’s circle of acquaintances and contacts. He becomes embroiled in a bizarre web of intrigue and discovers no shortage of possible murder suspects, all of whom appear to be surprised to see him still alive.
Between Eleven and Midnight

Alberto is forced to face his wife and his two lovers at the same time.
The Seducer

The finding of a wallet with a lot of money is the common theme of four stories, featuring a shoeshine from Seville, a clerk from Salamanca, a bullfighter from Cuenca and a newspapers seller from Paris.
The Irony of Money

Paris at the Belle Epoque. Monsieur de Pontagnac, a perfect honest man, loves pretty women too much and that plays him many tricks. What need does he have to follow the pretty Lucienne Vatelin, home, to find himself in the presence of the husband, the notary Vatelin, who is part of his circle? From there, many characters will meet, avoid each other, find each other. Adultery, domestic scenes and reconciliation will be their lot.
The Turkey

A detective is seeking an assassin in a murder that has not yet occurred, only to discover that it is his destiny to become that assassin.
The Erasers

Right-handers Ricardo Puente, Juan Carmona and Rondeño II, which will take the alternative are advertised in the poster. The first is an old bullfighter, famous in the past, as now, bitter and full of rancor, lives with Paloma, a woman who is not resigned to continue to be the lover of a man who has fallen into oblivion. Carmona, the Bullfighter of fashion, has a major contract to fight in America, but his wife Isabel wants to reject the offer. Ana Maria, the sister of Carmona, hopes that his brother adopted its relations with Rondeno II; but Carmona was opposed because considers it it a bad Bullfighter
Afternoon at the Bulls

Diavolo's bandits fight Napoleon's troops and so King Ferdinand IV, the Neapolitan king, makes Fra Diavolo a Colonel. In the meantime the bandit also falls in love with Marietta, the king's illegitimate child.