François Yazbeck

When nomadic beekeepers break Honeyland’s basic rule (take half of the honey, but leave half to the bees), the last female beehunter in Europe must save the bees and restore natural balance.

Anu sees Heloisa regularly in her practice, who, whenever falls in love, begins to suffer from cruel and tormenting obsessions towards her beloved. Heloisa's twisted psyche fascinates Anu in ways she does not fully understand - professionally and personally. But one day, Heloisa abruptly stops therapy. A midsummer party with a couple of friends is interrupted when Anu's son Antti arrives with his new girlfriend - who is Heloisa. Anu is forced to confront her own limitations and the painful memories of Heloisa's therapy relationship, which reveal an obsessive bond between them that threatens to destroy everything.

Maia, a single mother, lives in Montreal with her teenage daughter, Alex. On Christmas Eve, they receive an unexpected delivery: notebooks, tapes, and photos Maia, from 13 to 18 years old, sent from Beirut to her best friend who left for Paris to escape the civil war. Maia refuses to open the box or confront its memories, but Alex secretly begins diving into it. Between fantasy and reality, Alex enters the world of her mother’s tumultuous, passionate adolescence during the Lebanese civil war, unlocking mysteries of a hidden past.

The tuberculosis sanatorium was both heaven and hell within the same walls. The story of the epidemic includes death, shame and isolation as well as sanatorium romances, fun and survival stories. The film takes the viewer on a vivid journey into the sanatorium era: it gives the viewer a sanatorium experience full of surprises, and through documentary evidence, takes us to the heart of the secrets.

In today's Beirut, different characters with unique stories navigate their lives without fully realizing their true desires, which contradict their status quo. As a result, their joy of living becomes a distant dream that feels increasingly unattainable.

On the eve of an invasion in 1982 Lebanon, an 11-year-old boy at a mountain school is determined to express his feelings to a classmate. As tension builds across the country, the day takes an unexpected turn, reflecting the fragile line between innocence and conflict. Through a child's eyes, the film explores the impact of war, the power of love, and the resilience of the human spirit.

An elderly crime investigator has reached the end of her career. Shortly after stepping down, she encounters the Devil, who has appeared in the city and begun working as a police photographer. During a series of walks together, a warmth develops between them. Over the course of their conversations, the Devil reveals he needs her help to end his own existence.

This film documents the lives of two Indian women migrants who moved to Japan more than a decade ago, as a case study of the ‘trailing spouses’ concept in migration. Jyoti, 41 and Mandeep, 39, grew up in the state of Punjab, northern India, in middle-class households. They received a good education and had promising careers in India. Then, in their early 20s, they each agreed to marry men living in Japan by arrangement. The women were excited to move to a foreign country and to be with their husbands but they had no prior knowledge of Japan. Having witnessed at a distance the lives of their relatives settled in the US, UK and Canada, they had similar expectations for their own future lives in Japan. But the reality was to prove different from the expectation.

Jamil and Milad are brothers with very different personalities. Jamil is a get-up-and-go carpenter, following in his father's footsteps. Milad is a sensitive trumpeter and dreamer. As their home country, Syria, sinks further into war, Jamil emigrates first to Beirut and then makes an illegal journey to Sweden. Milad stays in Damascus, but eventually can’t take it any longer and decides to leave to Berlin. Their cousin Wissam records their journey for over five years, bringing back childhood memories while questioning the true meaning of home. The traumatic war in Syria plays a background role in this documentary, which focuses more on the psychological effects of being uprooted and the way the brothers, who had previously hardly travelled, deal with emigration. It draws with humility and admiration the human ability to cope with change, as radical as it can be. Jamil and Milad are achievers, each adapting his own way.

On a desolate land, Antoun, in his sixties, finds himself confronted with his past and must make a difficult decision when his son resurfaces after a long absence.

Young Alma faces herself in a new light and learns through years of experience what kind of touch she likes. The film is a part of The Hotel Room -short film series, in which all eight stories are set in the same room and told by different up-and-coming filmmakers.

A cosmic odyssey of consciousness in a post-human Beirut. It follows two souls trapped in an underground purgatory, blurring the lines between reality and nightmare.

Maya Souratis Student Film about a man struggling with depression in search of light.

Solitude doesn’t mean you’re alone, it means you have the space to be reborn. The Nepalese people became isolated due to the Covid-19 pandemic. Through this isolation they focused on their faith, community, and the knowledge nothing lasts forever. Moe’s solitude came through tackling Ama Dablam- the beauty that captured his eye in 2009 without the comfort of his best friends. What he gained is more than he imagined...

There is no ready formula for changing the world. “Radical Creatives” recognises the potential of creativity as a force for global change towards a more attractive and nuanced future. The 1-hour documentary explores the underutilized power of radical creativity. It's a story of overcoming self-doubt by using a collective creative force. The film weaves a compelling narrative that captivates the world of Finnish oddity at Aalto University and beyond, where tradition meets rebellion. Creativity is courage and action; it belongs to everyone and lives in all of us.