Sam Soko

Boniface Mwangi is daring and audacious, and recognized as Kenya’s most provocative photojournalist. But as a father of three young children, these qualities create tremendous turmoil between him and his wife Njeri. When he wants to run for political office, he is forced to choose: country or family?

The stakes escalate in a longstanding conflict between Indigenous pastoralists and white landowners in Laikipia, Kenya, as unresolved historical injustices and the impact of climate change come to the forefront.

Akuol de Mabior is the daughter of a martyr of the revolution in South Sudan. As her mother is sworn in as vice president, the young woman tries to find out if this country torn by civil war can ever become her home.

In the Kenyan village of Kogutu, we watch the arrival of a group of visitors representing the charity GiveDirectly. The NGO agents gather villagers to introduce a program that will give every adult member a universal basic income (UBI), the equivalent of $22 per month, for a test phase that will last 12 years. Their community is one of hundreds targeted in several countries, backed with $30 million of funding. Free Money follows what happens in Kogutu over three years to study the consequences of the project, both intended and unintended.

Chris, an immigrant, grapples with economic chains, a fragile love, and the haunting past of his homeland, Matabeleland. Amidst societal upheavals, he must find a way to retribution and reconciliation in a world that has forgotten him.

A six-year-old boy living in the outskirts of Nairobi uses an unusual ability to escape a harsh reality, in this wildly imaginative and emotionally affecting tale of childhood by Kenyan director Mbithi Masya.

A cherished drive-thru worker receives the day's proceeds as her going-away gift when the community queues up to bid her farewell on her last day in Gainesville.

‘Something special about Nairobi is the people. I love the people of Nairobi. One thing I dislike about Nairobi is that there are barely spaces for children to play’, says Victoria behind the wheel of her van, driving from one birthday party to the next. Five years earlier, she set up a helium balloon business in the Kenyan capital to surround herself with joy and find safety after escaping an abusive relationship. In the colourful bouncy castles she erects and in the children’s laughter that fill them up, she finds healing and new strength.