Directing
A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
Paul, a young idealist trying to figure out what he wants to do with his life, takes a job interviewing people for a marketing research firm. He moves in with aspiring pop singer Madeleine. Paul, however, is disillusioned by the growing commercialism in society, while Madeleine just wants to be successful. The story is told in a series of 15 unrelated vignettes.
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
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With ghostly eyes looking through the winter landscapes of the plains and villages of Ain, where the sanctified priest the Curé of Ars once lived, Jacques Demy tried to understand this fighter for communal spirituality and his daily torments of mysticism.
1940: During the chaotic running fights of the French army the 7th company disappears - nobody knows they've been taken captive. Only their scouting patrol, three witty but lazy guys, can escape and now wanders around behind the German lines. They'd like to just stay out the fights, but a Lieutenant urges them to use a captured truck to break through to their troops.
Duke Philippe de Nevers is an influential and popular man who is married to a beautiful wife called Aurore. His rival Philippe de Gonzague hates him enough to organise an attempt on him. The Duke is accompagnied by Henri de Lagardère when de Gonzague's henchmen altogether attack him. Lagardère cannot save his friend because the both of them are hopelessly outnumbered. He has to escape in order to save the Duke's daughter and swears revenge. Together with his old buddy Passepoil he raises the little girl in Spain. At the same time he returns frequently to France where he detects confronts his friend's murderers and puts them to the sword one by one until only their former leader is left. Finally he discovers that Philippe de Gonzague is the man for whom he is looking.
The umpteenth adaptation of Dumas' novel finds d'Artagnan and his friends promoting the love affairs of Anne of Austria and the Duke of Buckingham, incurring the wrath of the Cardinal and exposing themselves to the cold cruelty of Milady de Winter. Also featured are the tender Mme Bonacieux, the hilarious Planchet, the Queen's ferrets and Bethune's executioner, against a backdrop of clanging swords.
Singapore. Following the mysterious disappearance of several Marines on leave, the U.S. Secret Service appoints young Art Smith to lead the investigation. Four volunteers decide to assist him in his dangerous undertaking, and prepare to act as bait for the kidnappers.
A professor experimenting in suspended animation accidentally shrinks his dog and later, his female lab assistant, when she drinks the liquid by accident and shrinks to 3 inches tall. The professor keeps her in his pocket until he can find an antidote. Sometimes she's naked, too.
Philippe Malaiseau, writer and historian, died before completing his study of Charles le Témeraire, so the publisher sent Marc Lancelot, Malaiseau's “negro”, to Fontbonne in the Midi. There are five women in Fontbonne: Julie, a ravishing and very particular secretary who seduces Marc, Malaiseau's old mother, Marianne, the distant widow, Christine, the cousin, and Melisa, an Italian friend. The four women are all related to Malaiseau. Did he die in a simple accident?
LĂ©o Fardier is a police inspector who goes to prison undercover as a convict. He shares a cell with Mariani, a Corsican mafioso, whose trust he earns. The day LĂ©o leaves prison, the criminal entrusts him with a letter to deliver to his estranged wife. He finds her, and she falls under his spell. The problem is that he, too, has fallen in love with her.
A portmanteau film in which the producer, instead of as usual using already well known directors with a commercial draw, allowed five new young directors to each have a crack at an episode about romance.
La moucharde stars Dany Carrel as a young miss who loves neither wisely nor well. Duped into a life of crime, Carrel remains on the wrong side of the Law because she's hopelessly in love with a two-bit crook. Soon she becomes as jaded and hardened as her criminal cohorts. When the police threaten to throw her in the Bastille, Carrel agrees to turn informer, with the expected disastrous results.
When the long awaited departure day arrives, le Petit Bougnat, a child coal merchant eager to go to summer camp, realizes that his mother forgot to register his name with the rest of the group. Desperate to join them, the young coal merchant tries to find a way to integrate himself with the other campers. On the opposite end of the spectrum is Rose (Isabelle Adjani), who refuses to join the kids and goes so far as to run away from the bus. While the coal merchant is busy avoiding authorities who want to remove him from the rest of the group, Rose continues to sulk and search for a way back home. Despite her initial doubtfulness, Rose eventually comes to see the charms of the camp, and walks away from an offer to leave.
Olivier and Françoise, newlyweds, have Chantal at their service, whose main function is to pretend to be his boss, while she takes care of the housework. But Olivier is suddenly tempted by an extramarital affair with a young Italian woman, Frédérique. Pretending a business trip, he sends his wife and maid to their respective mothers, intending to bring Frédérique to his home...
More than 40 years after making "Cléo de 5 à 7," Agnes Varda invites her star, two other cast members, and her assistant directors to look back. She takes us through the film, from opening scene to the end, visiting its Paris locales, placing her aged actors in the same spots, telling stories, and listening to others' reflections on the making of the film. She and they talk about making a film on a low budget, its showing at Cannes, and trying to fix a problem in the last shot. Her assistant directors discuss casting, costumes, sets, and the ways the film changed their approaches to filmmaking.
Twenty-year-old Henri Rebecque wants to make his dream come true: to bring Benjamin Constant's Adolphe to the screen in amateur format. Armed with a sixteen-millimeter camera and a team of friends, Henri embarks on this adventure, playing the role of Adolphe himself. Despite all the warnings, he lived through the passion and ordeal of the novel's hero, right to the end. Different times and circumstances will not change this.
