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Natalia Solórzano

Directing

Known For

Sansón
N/A

Baldomero, a former boxer, faces a new reality after several years in prison. Filled with guilt and deep personal conflicts, he wanders aimlessly through downtown Quito, trying to recognize the places he once inhabited. He meets Amelia, a techno-cumbia singer and hopes to rebuild his life, but the ghosts of the past are more alive than ever.

Sansón

2021
Lucia in Limbo
6.2

Sixteen-year-old Lucia wants to get rid of two things more than anything: her lice & her virginity.

Lucia in Limbo

2019
La Bohemia
N/A

More than 70 years ago Giorgio Motta's grandfather and uncle arrived in Costa Rica from Italy. With their hands they built the building that houses one of the most emblematic bars in San José. Nowadays, La Bohemia welcomes different generations in that same place, who are attracted by the nostalgia of the music, the conversation and the "bocas", but especially by the charm that its bartender, owner and cook, Giorgio, brings to this canteen, that shines within a traditional San José that seems to be soon to disappear.

La Bohemia

2019
La Picada
N/A

Rosmeri is the last inhabitant of a ghost town evicted by the constant eruptions of a volcano in Costa Rica. He has found a new way of life taking care of the animals that were left in the area and working in his cafeteria. The pressure from her family and the authorities is not enough to make her leave her home. Rosmeri says that the volcano is her friend and will keep her safe; and that relationship is the force that will help her resist.

La Picada

2022
No image
N/A

Natalia Solórzano narrates what is like for a foreigner to live in Pamplona, Spain

The Letters from Myself

2013
No image
N/A

Three days. Three images. Three places. Three lives that could be the same but are not. I know They approach and repel each other in a continuous swing to connect with what makes us human.

Mapas de mi memoria

2015
La recordé hoy
N/A

A photograph contains a message from beyond. Through repetition, the director seeks to heal inherited wounds.

La recordé hoy

2022
Moving So Slowly
N/A

Every bureaucracy has its own unfathomable logic, and the Costa Rican immigration department is no exception. The lines out front are long, and once you get indoors, consider yourself lucky that you can take a seat on one of the red, yellow or blue chairs you’re assigned—there are even rules on what color chair you get.

Moving So Slowly

2019