Grazio Braccioli

For those with any interest in Vivaldi's operas Orlando Furioso is essential viewing, being a 1989 San Francisco Opera revival by Pier Luigi Pizzi of his own 1979 production which was largely responsible for beginning modern interest in Vivaldi's stage work. The composer first premiered Orlando finto pazzo in 1714, but the Orlando Furioso finalised in 1727 was so heavily reworked as to be virtually an entirely new opera, and so successful Handel set the same epic poem by Aristo under the title Alcina in 1735.

Vivaldis Orlando Furioso was chosen to open the 43rd Festival della Valle dItria. This baroque opera is a true feast for the senses, with peaks of sheer poetry and a sense of wonder. Director Fabio Ceresa was clearly inspired by the works of Gustav Klimt, both for the setting and the costumes. Conductor and Continuo Diego Fasolis leads the excellent Barocchisti ensemble with an elegant touch, and an unfailing ability to fully convey the musics nuanced coloratura. The production was very well received, with the cast highly praised by audience and critics alike. Sonia Prina proved highly convincing in the title role, both for the quality of her voice and for her outstanding acting skills - a true 'ba-rock star'. Lucia Cirillo (Alcina) was complimented by Bachtrack for her 'flawless coloratura and virtuosity in ornamentation', while Riccardo Novaro (Astolfo) displays a stylish poise and vocal warmth.