Carlos Alberto Camuyrano

O is a young, vivacious photographer who falls in love with Rene. While their relationship seems like a storybook romance at first, everything changes when he sends her to a place called Roissy, where women are subjected to intense physical and psychological S&M training to make them the perfect slaves.

In the 1930s, novelist and politician Graciliano Ramos is accused of being a communist sympathizer. He is then arrested and sent to the Ilha Grande prison, where he experiences the disturbing treatment reserved for common prisoners.

In 1594 Brazil, a frenchman becomes a prisoner of the Tupinambás. While waiting to be executed, the foreigner learns the habits of the indigenous people and joins a woman who tries to help him escape.

The critical success in France of How Tasty Was My Little Frenchman made possible dos Santos’ delirious science-fiction vision of free love in a post-apocalyptic wilderness besieged by flesh hungry zombies contaminated by an unnamed nuclear attack. Who is Beta? follows two statuesque survivors drawn irresistibly together only to be entranced by the arrival and sudden disappearance of a third, the bewitching raven haired Beta. With its cartoon-like depiction of extreme violence and desire, Who is Beta? offers a heady Pop-infused companion to Hunger for Love. Yet beneath its giddy play of surfaces, dos Santos' underappreciated film gradually reveals a darkly ambiguous metaphoric dimension. -Harvard Film Archive

After an extended period directing original screenplays, dos Santos returned to the creative engagement with literature that was the wellspring of his early masterpieces, offering a combinatory adaptation of five stories by the renowned Brazilian novelist João Guimarães Rosa. Openly embracing a mode of magical realism, dos Santos' celebrated film tells the story of a farming family defined by the absence of its father who abruptly abandoned his wife and children, sailing away down the river, including his son who continues to communicate with his father, speaking daily to him from the river bank. While offering an evocative vision of rural Brazil as a timeless land of mystery and solemnity, The Third Bank of the River is also bitingly satiric in the remarkable depiction of religious belief when the family moves to the city and its youngest member, a mesmerizing little girl, is revealed to be a kind of saint, capable of miraculous acts. -Harvard Film Archive

The documentary recalls the political reopening of the country, and narrates in detail the events that culminated in the election of Tancredo Neves as the first civilian president after 20 years of military dictatorship.

Two fanatical Flamengo fans get drunk after a defeat of time; a voyeurist peers at his neighbor's nakedness with binoculars; a suburbanite kills his wife over a chicken; an ambitious father makes money from his daughter who pretends to see the virgin Mary; a loving couple desperately seeks to satisfy their sexual desires; a priest tries to extort more alms from his parishioners; a married man, to survive, poses as a transvestite on a boat; a suburbanite prepares to sing on the Chacrinha show! Anything can happen in this film!

It's Christmas Eve and an aunt and her nephew have to deal with their platonic relationship.

The film presents the career of painter Raimundo Oliveira (1930-1966) - the Prophet, and also a Collective Exhibition in Feira de Santana with some of the artist's works, mainly Baroque saints.

Three mythical African princesses tell how Olorum, lord of the Universe, has created the Earth, according to the Nagô tradition.