Raymond Pellegrin

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Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

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The series follows the adventures of lighthearted Jean-Paul Moulin, a police Commissaire, and his team as they solve crimes.

The renowned Insurance International Co. has created an enquiry network, headed by detective Jack Clementi, to defend itself against insurance fraud. Jack has saved the company enormous amounts of money throughout his successful investigations and his bosses are more than willing put up with his brusque manners, his disconcerting frankness, and his intolerance for any form of company bureaucracy. Yet he is a big guy with a huge heart.

During the fascist era, Adriana a beautiful young model, becomes a prostitute after a love affair gone wrong. She meets Mino, a partisan who falls in love with her and wants to redeem her.

Two families of the Neapolitan Camorra fight for power.

Schwarz greift ein is a German television series.

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Fantômas is a man of many disguises. He uses maquillage as a weapon. He can impersonate anyone using an array of masks and can create endless confusion by constantly changing his appearance.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

In Naples at the end of the 19th century, Nicola Bellizzi dreams of becoming a lawyer. However, when he seeks the reason that people are reluctant to help him in his goals, he discovers that some of his blood relations are high-ranking members of the Mafia. He tries to break away from his family obligations, but falls into a life of crime and violence.

Manuel Artiguez, a famous bandit during the Spanish civil war, has lived in French exile for 20 years. When his mother is dying he considers visiting her secretly in his Spanish home town. But his biggest enemy, the Spanish police officer Vinolas, prepared a trap at the hospital as a chance to finally catch Artiguez.

Marie-Thérèse is firmly involved in a charity dedicated to the rehabilitation of prostitutes. She approaches Marcelle who, for the love of Pierre, an honest painter, hides her dishonorable profession, and she befriends Maria, in love with the gentle René. Marcelle's aunt is murdered, and her daughter arrested. Marie-Thérèse sets out to prove her innocence, but the two boys learn all about the two unfortunate women. Pierre is unforgiving. Happier, Maria will start a new life with René.

The film follows the life of Napoleon from his early life in Corsica to his death at Saint Helena. The film is notable for its use of location shooting for numerous scenes, especially at the French estates of Malmaison and Fontainebleau, the Palace of Versailles, and sites of Napoleonic battles including Austerlitz and Waterloo.

Pauline Bonaparte, sister of the famous Napoleon, embarks on a series of amourous escapades, including an engagement to the Conventionnel Fréron; her relationship with the comté de Canouville; and her marriage to General Leclerc, whom she follows to Saint-Domingue.

Inspector “Flatfoot” Rizzo investigates crime and corruption in Naples.