Daniel Kulle

We are surrounded by commercial images. An economic value is attached to everything we touch, everywhere we look. An experimental film on gay iconographies in a commercial age.

A digital fairy tale about love and fantasy. In a digital future, Max isn't the successful type. It's a bleak dystopia, this future world, in which bodies are just factors of production, and individuals are submitted to a strict regime of surveillance.

When Hamburg University was founded in 1919, it was proud to be the first university of a new, democratic Germany. But the university didn't come from nothing.

The gay community in the digital age: what happens with a community when it mainly takes form in the internet? How do we interact with each other, if we only meet in the real world to have sex and any communication has shifted to the internet?