Bia Baggio

Iremar works at the rodeo in North East of Brazil. From his home, the truck he uses to transport the animals, he dreams of a future in the region's booming clothing industry.

Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.

Bethânia returns to her land, where the family’s old sugar mill was built, the Wanderley Mill. Between photographs, fantastic creatures, bills to pay and workers claiming their rights to the land, Bethânia faces herself in a present where both the past and the future look menacing.

A Brazilian development project, initiated during the military dictatorship in the 1970s, encouraged the “exploration” of northern Brazil by settlers from Paraná, Santa Catarina, and Rio Grande do Sul. Based on a German-inspired festival held in Sinop, Mato Grosso, where an anonymous, fictional, and suspicious character wanders through forests and plantations, the narrative offers a free-form account of an immigration process that caused, and continues to cause, cultural, environmental, and political changes in a region once inhabited by diverse Indigenous peoples.

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