Zuhair Ramadan

A modern classic of Arab television. A social drama set in the 1920s in Damascus- It highlights Damascene life, noble values, and ancient customs and traditions represented by the people of Harat al-Dabeh who fled to Harat al-Salihiyah after the French bombed Harat al-Dabeh. The events take place after the gold is stolen from the house of the cloth merchant Abu Ibrahim, and the guard Abu al-Samu is killed. The men of the neighborhood try to find the thief.

The daughter of the quarter's chief, Khatoon pushed by love, rebels against traditions and wages confrontations with her family and the residents

Tucked away in the Syrian mountains, the fictional village of Umm al-Tanafs al-Fawqa has been completely bypassed by modern technology — and its simple, warm-hearted residents have no idea what they're missing. Each episode follows their hilarious attempts to navigate life's big and small dramas with nothing but common sense, stubbornness and each other. A gentle, sharp satire that uses village innocence as a mirror for modern society's complications — described by many viewers as the greatest Arab comedy ever made.

A Syrian social drama series that sheds light on a neighborhood in one of the slums in the vicinity of Damascus, around a poor family consisting of a mother and her four children, who strive to meet their needs and achieve their ambitions with the tools available to them, while focusing on solving future problems at the time, leaving them to chance, luck, mischief, whim, or influence.

Essam and Ragaa experience unsolvable problems and disputes over one of Essam's colleagues. These disputes increase to affect their children negatively over time.

The series revolves around a poor man who wants to get rich. As he has a dream that he has found a treasure, his social status changes as he goes out every night to abandoned areas and begins digging and goes home by day to rest.

In 1918 Damascus, after the downfall of the Ottoman Empire and before the French colonization of the country, six Damascene neighborhoods decide to choose one head to rule over them, only for clashes over the throne to crystalize and extend.

The series monitors the social, political and cultural life in Syria from the period 1932 to 1936, where the events take place in two neighboring areas: the city of Aleppo, and a supposed rural area called Kom alHajar.

The events of the series take place in the period from 1939 to 1945, the period of the Syrian struggle against the French occupation, by reviewing the current events in that period and shedding light on several characters and their social and political relationships.

Ten strangers are invited to a distant island by a letter, but then they die one by one, and they soon realize that the killer is among them.

The Syrian series *Hay Al-Mazar* unfolds within a social framework that reflects the daily lives of the residents of Hay Al-Mazar. It explores various humanitarian and social issues, including family relationships, class struggles, and the challenges faced by characters in a rapidly changing environment.

Al Ghadr "The Treachery" is a Syrian TV series with a detective theme, consisting of 31 episodes, based on the novel “The Bread Peddler” by Xavier de Montépin.

No description available.

When her new husband Ghaleb discovers a dark secret that she's been hiding, a guilty Mays agrees to be his lifelong slave. Hoping to earn his forgiveness someday, she gives up her dignity and femininity in an attempt to win him back.

No description available.

Mona and Zainab deal with different types of social pressure as one runs away to avoid an arranged marriage, and the other decides to raise a lost boy.

When a hardworking employee is wrongfully accused of breaking regulations, corruption within the system sends an innocent man to jail. Stripped of his dignity and freedom, he emerges from prison with one goal: revenge. A gripping Syrian drama that pulls back the curtain on institutional corruption and the lengths one man will go to reclaim his justice.

In his debut feature film, director Muhammad explores the inexorable dissolution of a family, ironically during the planning of a wedding, the kind of ritual that ought to bond family members together in shared joy. The film exposes the divisive dynamics of patriarchal oppression, and the terrible connections between familial and sociopolitical violence.

Syria, 1967, rumors of war. Abu Kamel, a peasant who farms tomatoes near Latakia, bullies his family. One by one, each rebels against him or finds a route to break away.

A Syrian drama that begins when Colonel Mudar returns home to find his wife and daughters taken hostage by an armed group demanding the release of their imprisoned members. The crisis shatters the family and sets off a tense chain of events, especially for his daughter Maria, whose journey becomes central to the story. The series blends family drama, conflict, and the human cost of war.