Sebastián Sánchez

A spring afternoon on the San Cristobal hill, in downtown Santiago de Chile. Four friends and a sound engineer talk about the events seen and experienced during the popular revolt that began in 2019 in Chile. The film brings to the surface certain conversations related to any revolution: hope, disillusionment, fire, torture and police violence, but above all the importance of collective memory.

The arrieros hold the lamb's body with their hands. The knife cuts the animal's throat and blood cascades out.

Is set in the figure of a transhumant muleteer who once a year takes more than a thousand sheep up into the heart of the Andes Mountains. Accompanied by six men and ten dogs, he crosses forests, cliffs and rivers in search of food for his livestock, regardless of the risk to his life that this effort entails.

Juan Emar, a ghostly writer, emerges after a 60-year nap in a field lost in time. The young specter writes a letter to his beloved Guni Pirque to update her on everything that has happened, sharing thoughtful experiences of the Chilean countryside, recounting stories that intertwine tales, rural episodes, and the presence of fantastical beings.