Fernando Krapp

Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.

The childhood memories of writer Martín Kohan are intertwined with the unreleased archive from the Channel 9 newscast between 1973 and 1980. Through this, a key period of Argentine history is reconstructed, exploring the relationship between personal memory and the public discourse of the time

Park Ranger Pablo Silva remakes his life in his new destination, a forgotten and troubled place that few want to go to, the Pereyra Iraola Park. Soon, under an apparent tranquility, he discovers a network of poachers, traffc and hoaxes. His old hunter instinct will arise. He can hide from everyone, except himself.

Atahualpa Yupanqui established himself as a key figure of Latin American identity through travel. Archives, music and personal records of a transhumance aimed at deciphering the dialogue between people and their territory.

Beatriz Portinari is not only the name of the inspiring muse of Dante Alighieri, but also the pseudonym with which the Platense writer Aurora Venturini was presented in 2007 to the Nueva Novela contest, organized by the newspaper Página 12, in which she won the grand prize for their work The bonuses. Full of mischief and grace, vitality and mystery, with great character and lucidity, this woman who throughout her ninety-one years never stopped writing, had a life totally linked to the literature and history of the twentieth century: she knew , was a friend and worked with Eva Perón in a minority center; in his exile he became associated with Simone de Beauvoir and Jean-Paul Sartre, among others; and received a prize from Jorge Luis Borges, among many other things.

The discovery of several tapes recorded in 1985, during the "Trials of the Juntas," inside the Anti-Subversive Museum of Buenos Aires, allows for a rare reconstruction of the dictatorship's discourse and reveals the residual power of the military even under democracy. This film illuminates a particularly dark historical period and creates a tension: the exposure of the dictatorship's triumphalist rhetoric and the mannequins as a spectral presence of the disappeared.

After spending five years in prison, rapper Matías Escobar moves to the calm of a beach resort during the off-season. The sea, old friends, melancholy, and loneliness plunge him into an introspective limbo where writing and songwriting flow.

In the Argentine Pampas, life seems to be on hold. A prolonged drought is killing off the livestock and threatening the existence of Omar, a farmer, his nonagenarian mother and Libertad, his 4-year-old granddaughter.

High-altitude anthropologist and Head of the Qhapaq Ñan Program, Christian Vitry was part of the expedition which pulled out the Children of the Llullaillaco from within the volcano in 1999. This documentary closely frames Vitry's preparation process, among informative and human talks with the Koya community -who must give him permission to start climbing in the area-, and peronal stories that turn this story into a real travelogue.

Yasuo Inomata, the most important landscape gardener in Argentina, was born in a village in northern Japan and settled in Escobar in the 1960s. He created the Japanese gardens of Escobar and Palermo, but some internal disputes altered his work.

Segey Spivak Laurson is a Soviet painter based on the other end of the planet: Argentina. His only obsession is to paint the Iguazú Falls. Soon to fulfill that dream, a call from Russia changes his plans.

After several unsuccessful performances, the theatrical project based on Anton Chekhov's "Three Sisters" seems doomed to oblivion. The desperate actors persuade the director to call on a constellator who can unlock the energy and summon the audience. During the constellation, the roles are reversed: the one who directs is directed, the one who acts is acted upon, and the one who assists is assisted... The participants' personal problems emerge, revealing new ways of understanding themselves and the play. Ultimately, we are all actors in our own lives.