Myo Aung

She just wanted to feel a little lighter—her body, her soul, everything. One day, as she left the swimming pool, Jade noticed her bag seemed to be dripping, the dampness seeping into her very being. Determined to shed it all, she made her choice…

A very young girl from Myanmar is supposed to marry a man from China whom she has never seen before, and to follow him to a country she has never set foot in. However, the man who is supposed to bring her and her family a better life is prevented from arriving, and a rooster is supposed to replace him at the ceremony. Gong ji gently and mysteriously tells of a serious topic in suspiciously beautiful Images.

In 2021, an orchestrated coup d’état in Myanmar shuts down the country. Gao Gao, who can no longer go to school, spends his days with his friends in the village, passing the time by playing with toy guns, going through life as if nothing has changed despite the unrest around him.

Taking place on Victory Lane in Keelung, this film delves into the lives of three Korean women in their 70s, shaped by war and identity struggles. Unable to return home after migrating during the 20th-century Japanese colonisation of Taiwan, they endure the physical and emotional toll of living between Korea and Taiwan, forgotten in the divide between the two countries.

This is a story on human desire and acrid smoke. When Myanmar opened its borders in 2010, there was an incursion of foreign capital into these unclaimed lands, with China the most aggressive of them all. Determined to also stake their claim within this fever rush of Chinese cash, Yung-heung and his comrades have set ablaze large swathes of forest alongside northern Myanmar to be turned into farmland.

A Burmese-Chinese family struggles with their life between Taiwan and Myanmar. Where should they settle down?