Javier Díaz

In a desert town in the Puna, something dark emerges from the earth. Only old Cora, her daughter Antonia and her granddaughter Serafina remain. The mother leaves for Buenos Aires, leaving the girl in the care of her grandmother, who warns her not to go near the Pachamama well.

Ulysses is a hundred-year-old man, he lives alone and is on the verge of death. The last night of his life, he will experience something that will force him to rethink his past, his present and his sight about his reality. Tortured by remorse of guilt, confused by his senile dementia, he must make a last effort to reach his death in freedom or to become a soul in sorrow in eternal return.

A group of working-class losers plot to give an old gypsy mobster a heart attack in order to recover a valuable car. They decide to build a monster to scare him to death. But they're looking for trouble.

The film tells how in 1970 a group of Argentine filmmakers - including Alberto Fischerman, Rafael Filippelli, Julio Ludueña, Miguel Bejo, Jorge Cedrón, Dody Scheuer and Luis Zanger - decided to make a short film each in one night. The occasion is perfect to describe the atmosphere of the '70s, the fever in which militants and publicists lived, the clash between art and politics. Includes fragments of the films The Players vs. Ángeles Caídos (Fischerman, 1969), Shadows (John Cassavetes, 1959), Made in U.S.A. (Jean-Luc Godard, 1966), L'eclisse (Michelangelo Antonioni, 1962), The Hour of the Furnaces (Pino Solanas & Octavio Getino, 1968), Tire dié (Fernando Birri, 1960), Alianza para el progreso (Ludueña, 1971), La civilización está haciendo masa y no deja oír (Ludueña, 1974) and La pieza de Franz (Fischerman, 1974).

In Iquitos, a reporter is haunted by a girl who knocks on his door every night asking for sugar. A lieutenant searches for a missing student. Their paths cross as they uncover the true horror hidden within the building.

No description available.

A group of young actors attempts to recreate some of the key scenes that tell the story of the Manuel Rodriguez Patriotic Front, the guerrilla group created by the Chilean Communist Party, 10 years after the start of the dictatorship of the genocidal Augusto Pinochet in December 1983.

The documentary filmed in 2000 portrays the consequences of the neoliberal policies of the 90s that destroyed the production of yerba mate in Misiones. This is how the socio-economic bomb that would explode in December 2001 was prepared.