Lisa-Lena Tritscher

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The cum-ex scandal has caused 146 billion euros in losses in several countries. Inspired by true events, two women from Germany and Denmark are trying to put an end to it.

Winter in Vienna. Children disappear. For now without a trace, then their bodies are found. A gift for the tabloid press. For the police a series of defeats. Politically a problem. And at the same time the long-awaited opportunity for the ambitious interior minister. The organized crime is in trouble. The child murderer must be found so that all other dirty jobs can go on.

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No description available.

Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

The duo Alexander “Alex” Haller and Nikolai “Niko” Falk are investigating a kidnapping case in Grinzing, where the 22-year-old Paul Rauch, who comes from a family of winemakers, was overpowered on the street at night, knocked down with a motorcycle helmet and dragged into a van became.

Katrin Fischer, a successful businesswoman and participant in a snuggle seminar, is looking forward to an evening tête-à-tête. But instead of romantic hours for two, a bullet in the heart awaits her.

The long-lost bon vivant Mike Bittini learns that his brother has fallen into a coma. He returns to his family, sneaks in like a hawk in the chicken coop and mixes things up properly. The uncle comes to help, brings chaos and finds love.

A brutal-looking man drives through Vienna in a pick-up – with human cargo on the locked loading area. His victim, bound and gagged, is Karl Burger.

Even Franz Gasperlmaier had never seen anything like this before. He's seen a lot of things, after all, Gasperlmaier has been a police officer in Altaussee for more than twenty years. But a stabbed man on a Monday morning in the festival tent at the Altaussee Kirtag is too much even for a seasoned man like him. And so he makes a wrong decision, not his last one that day, and the dead man sitting in his own blood in the festival tent won't be the only victim.

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Annika dreams of having a synthetic mermaid fin -- expensive fun for the supermarket cashier who longs for distraction from the worries of her everyday life.

Walter is a somewhat church-weary, washed-up exorcist who prefers to spend his free time sipping beer. His tranquil life changes when he suspects he's encountered a vampire. Disorganized, he attempts to track him down and confront him—who else would do it? The centuries-old, sinister Blood Prince, on the other hand, pompous and self-absorbed, is enthusiastic about the new world he's encountered and helpless in the face of its technological and social advancements. Times of open hostility are interspersed with moments of rapprochement, but it soon becomes clear: Vienna isn't big enough for both. A vampire film that juggles the genre's trappings with a wink, charmingly sidestepping all conventions as an entertaining comedy. Sometimes by force.