Alessandro Danielli

Palermo, Sicily, 1984. Examining magistrate Giovanni Falcone allies with Tomasso Buscetta, a former mobster, to defeat the clan of Corleone, the ruthless Mafia faction that rules Cosa Nostra with an iron hand, cruelly eliminating all those who dare to oppose its immense power: other criminals, policemen, judges, even innocent civilians. One of them wants revenge, the other wants justice. But only one can survive such an unequal fight.

New year's eve at "The Islands" condos. An aging countess's party is crashed by the soccer team from her gigolo's town. While dressing for a dinner party, the wealthy Guilia discovers her husband's affair with her best friend and vows revenge. Next door, a family prepares their vintage Dodge for a drive through the streets. A call girl ties up a lawyer while, unbeknownst to him, three men await the right moment to break into his office. Across the hall, a woman downs pills in a lonely suicide attempt. Two young men hide out in a bedroom smoking dope; one of them has some dynamite. As midnight approaches, each group draws closer to grotesque tragedy.

Twenty years after his debut as an actor, Brazil's sweetheart Reynaldo Gianechini meets his mentor, legendary director José Celso Martinez Corrêa for a first reading of Plato's Phaedrus.

The body of a trans woman lies lifeless in a soy plantation and three lives react to her missing and presumed death.

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What is the influence of Jazz on Brazilian music and the influence of Brazilian music on Jazz? The documentary Zuza Homem de Jazz draws a parallel between the two universes, featuring the renowned Brazilian musicologist Zuza Homem de Mello as the protagonist. It offers an intimate look at the writer and music journalist and highlights his long connection with Jazz, that dates back to the 1950’s, when Zuza was a student at the Julliard School of Music. The film was also shot in New York, where Zuza meets old friends in the jazz circuit and revisits memorable stories.

With a short and intense life, Dolores Duran left her name in the pantheon of great names in Brazilian music. Living in a time when women had to follow strict moral standards, Dolores had no doubts: she spent the night in bars and parties, drank, smoked and allowed herself to be free to relate to whoever she wanted, challenging the macho structure of the 1950s. With many archival footage and testimonials from friends, family and ex-boyfriends, the film tells the story of an important and little-remembered character.