Marina Corelli

When a fisherman leaves to fight with the Greek army during World War II, his fiancée falls in love with the local Italian commander.

Sofia and Eleni and Petros and Alexandros and Despina and Daphne. Familiar, people-next-door types with their obsessions, weaknesses, hang-ups. People who make the daily rounds in search of communication. Sofia, fragile and with no defenses, searches for the scent of life. Eleni tries to combine career and child, making the mistakes she blames her mother Despina for making. Alexandros, a full-fledged adolescent strives to be loved. Petros goes after lost relationships. Characters and the absences of characters. Relationships that are articulated and disarticulated. Through tender glances and open wounds. With an invitation open to all as an antidote. One that we have extended dozens of times while we wait and hope. So... let's go for an ouzo.

The film describes the martyrdom of Giannoulis Halepas in his attempt to discover new forms of expression and to render the new era with his own plastic techniques. The film reflects the struggle of the artist who seeks to breathe life into clay and sacrifices himself for this purpose... He entered the Tartarus of the earth to forget what he knew and learn what he did not know—the mysteries of Divine Will...to learn how matter becomes spirit, and he returned to our world to reveal Divine Harmony to us.

A hardened debt collector agrees to deliver confession letters for his former partner, now a priest, only to uncover the devastating consequences of their shared criminal past - including a truth that forces him to confront his own guilt.