Mélissa Diarra

Judge Claire Delval discovers that her father, Simon Delval, is involved in the corruption case she has been investigating for years. Forced to resign, his place in the Francophone Liberal Party is coveted by the discreet Mark Van Dyck

In the Alps, a caravan burns, enclosing a seasonal worker in its flames. Emilie Karras, a young gendarme from Lyon, originally from Les Clairies, leads the investigation, forced to collaborate with Major Servoz, a disillusioned local gendarme.

The tasty story of a retired teacher who decides to make his former students pay for years of heckling and humiliation.

A film made of objects, faces and texts; of lost cats, of found pictures, cut-outs, recreations; a poetic subversion in diary form, one that breaks the calendar into a novel, driving relentlessly as a journey to the end of the world.

Simon, wrecked by a love sorrow, overflows with sadness. He literally starts to shed all the tears of his whole body. Constantly soaked head to foot, he has to face this new physical state that he’s incapable to stop. An encounter will allow him to take a step back from his pain, to point to another perception of sorrow.