Abd Elfatah Almozyen

Rijal Al-Izz — Men of Honor — is a 2011 Syrian Damascene period drama set in the Saroujeh neighborhood of Damascus during the French occupation of the 1930s. The series follows Abd Al-Rahman Al-Shami, a wrongfully accused man who escapes a death sentence and transforms into a resistance fighter, striking fear into the French occupiers while navigating betrayal and injustice within his own community. Starring Rashid Assaf and Qusai Khouli.

Taking place in the Thieves' Market located in the Syrian capital, Damascus, the events deal with a number of stories dealing with counterfeiting currencies, drug trafficking, and others.

The events take place in the 1940s, after Nouri leaves prison, a major conflict arises between him and Abu Adnan, coinciding with the assassination of the doctor, Abdul Rahman Al Shahbandar.

Businessman Jerry Al-Malik suddenly disappears after an alleged arrest, sparking a fierce battle over his vast fortune between his wife and uncle, who become the main suspects in this mysterious case

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Beneath the surface of a seemingly stable and happy family, a rivalry between two brothers slowly tears everything apart. What begins as a personal disagreement quickly escalates into a war of revenge, dragging innocent lives into its wake. Against this turbulent backdrop, a young woman named Maria pursues her passion for rhythm dance, chasing a dream that refuses to die no matter how dark things get.

A retired security man returns to civilian life to realize that he has lost his value, so he begins a journey to regain that value and his position in life.

At the early fifties in Syria, a man meets Salama, Mustafa, Hussein, and Youssef, all of whom oppose the dictatorial authority, when he is thrown into a political prison due to a misunderstanding, after which he finds himself in a place other than what he imagined, living in a difficult intellectual struggle.

A journey in the world of the little employee Sobhi Halogi, a conservative, conservative woman, occupies the axis of his thinking. He seems to be an object, but we do not reveal his intimacy unless life has given us a special experience with him. Sobhi Halouji is confronted by a girl he encounters by coincidence, but fails to bear the spiritual expenses imposed on him by this relationship. The film reveals and exposes the model of this segment with all its contradictions, motives and aspirations to overcome the bitterness of living and deprivation at all costs, bearing one goal is to climb.