Heiner Stadler

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This German format is not a series properly speaking, as it has no permanent cast or script continuity, but presents each time a 45 minutes documentary, usually in part presented as a docudrama (not faction, as close to scientific knowledge as possible, but visually attractive), elaborating a specific historical theme, widely varied, often exotic in the sense of a far time (as far back as prehistoric times) and/or place (around the globe), although some episodes fit together well, chronologically or thematically, but always fit to be watched separately. Usually authentic locations are used, as well as scenes from and/or interviews about the scientific research it is based upon.

Berlin Film Fest 1984. The best place for every cinema fan. Everyone wants to be in on the festival, but that may be really difficult, if one has no accreditation. Also Journalist Matthies gets to know the rules of being in or out when he wants to see a screening and is not welcome. Thus he watches an old German silent flick which he is barely interested in. The next day the newspapers are full of reports about a newly discovered German masterpiece from the silent era. It seems that Matthies had luck. He just saw *the* film everybody is talking about now. Also everybody is speculating about its director, who remains unknown. When Matthies talks to Ackrewa, an old befriended projectionist, about the film, the latter seems to recall the name of the director. Matthies decides to research the case. An odyssey into film-history begins and if it is successful Matthies will come up with a top story.

A woman meets a man in a bar late in the evening and goes to his apartment. A woman picks up a girl from school and runs with the child through the park. If we see such scenes in a movie, or are we watching such situations in life, we quickly believe we know who these women are: a woman looking for a fleeting adventure in the first scene, a caring mother in the second.

Episode movie about the no-future generation of the early 1980s.

1984: Scientists and a group of cultists discover intelligent beings in space. The initial effects of their alien biological order are terrible. The doctors are at a loss. But despite increased security measures, life still goes on. "Beings from another star? - That's ridiculous!" The show must go on. Two attractive young girls rehearse a dance for a commercial, but the recording equipment goes on strike. Filming is finished. Full of optimism for their future, the girls travel to a theater director's hotel. However: "Mr. Goldwine has been missing for three days. Only his luggage is still here." Tina, who painfully remembers her last love, is brought to her senses by the cool, blonde Doris. Now it's time to take a deep breath. Strangely, the flowers in the window box have withered. Fluorescent stones glitter instead and are picked up hypnotized. The UFOS break through the earth's atmosphere. People are carried off by rays of aggression.

Documentary about German director Harald Reinl

A war photographer in different theatres of conflict, Belfast, Beirut, Mogadishu begins to suspect that his uncanny knack for being in the right place at the right time to get the perfect shot is making him an agent of the action that is more causal of the conflict than reactive to it. This takes the argument about whether a war correspondent is a recorder or instigator of drama to an interesting new level.

Mercedes, Max, Krull, Stephan and Karin live in an apartment in Munich. Krull loves Mercedes in vain, Karin thinks boys are horrible and takes part in competitions. She wins an evening with Udo Lindenberg. Pursued by Krull, Karin and Mercedes leave the apartment. Stephan and Max are left alone. While Karin goes to the hairdresser for the evening, Mercedes meets Simon, who drives a large truck. They decide to get married and have seven children.

Iranian filmmaker Narges Kalhor is forced to confront her family legacy and German bureaucracy when she seeks to remove an overly symbolic word from her name.

Baskaran left India for Dubai with high hopes but came back in a coffin. His widow Sundari didn't believe he committed suicide, so the relatives recruit cousin and filmmaker Jayakrisahnan Subramanian to uncover, what really happened. On his research, Jayakrishnan discovers that his cousin's fate symbolizes the exploited dreams of thousands others and the consequences they have to face when they wake up.

Early short film by Wolfgang Büld

In the documentary, Melanie Spitta accompanies survivors and their children to Auschwitz. The film powerfully illustrates how the horrors of the concentration camps have shaped the survivors and their descendants across decades and generations—and why the victims’ trust in the Gadjé remains broken to this day.

Documentary film.

October 7, 2001, 6:27 p.m. local time: The first cruise missiles strike Kabul and other cities in Afghanistan. The documentary observes how this war affects the private lives of individuals in other parts of the world: In Paris, a couple's domestic bliss is disrupted, in New York a concert is canceled, and a South African miner works an extra shift. The film attempts to turn one of the basic tenets of chaos theory—that the flap of a butterfly's wings in China can cause a hurricane elsewhere—on its head.

The child of survivors of the Sinti persecution by Nazis, Melanie Spitta confronts the truth about unpaid reparations as she exposes shocking evidence and issues a warning against believing perpetrators over victims.

Documentary by German journalist and film maker Heiner Stadler.