Directing
The crazy face of Franck has no gaze, only orifices and excrescences with undefined, undecidabled functions. It's a flesh humanity in opposition to organ humanity.
No description available.
A performance of Gérard Pelé echoing the one of Nam Jun Paik.
Two bodies meet. Mine is holding the camera with my arm, Edithe’s is playing with itself until losing all its strength. Her face, her body members, her belly, are her tools. A 45 minutes meeting condensed in 3 minutes and 35 seconds.
A Hélène Singer’s performance, shot by Isabelle Blanche.
Creating a new space, poetic and ephemeral space: triple burst of movement, voice and technique.
A film from Isabelle Blanche
Silent, France, 2002, Super 8, 3’30”