Julia Kunert

A wounded Soviet soldier is kept hidden by his wife in their home for 26 months. He hopes to survive the war in this way. Too late, they both realize the error of their ways.

No description available.

No description available.

Young people living in a children’s home in Mecklenburg talk about their unstable home situations and domestic violence. Many of them have alcoholic parents and some are in danger of going down the same path. They speak openly about the past and their hopes for a better life. The documentary follows the young men and women within the group and in search of personal space. A party to start the summer holidays marks not only the end of the school year – it also means that an entire class will be taking leave of the home forever.

Andrees’ graduation project approaches the perky 14-year-old Jacki mainly through her social environment: the stressed patchwork family mother, the solitary long-distance truck driver father, the eclectic neighbourhood. The closer the film gets to its protagonists, the freer the movements of the camera become, gliding through a studio as if in a trance or flying over the nocturnal motorway as if over a UFO landing strip.

A changing of track. Observations and interviews with border guards and commuters at Berlin’s Friedrichstrasse station in 1990, as the border between East and West Germany was becoming ever more porous and this crossing was already being dismantled.

History in a hurry: Namibia becomes independent in March 1990, in July the Publicly Owned Enterprise DEFA becomes a GmbH, in October GDR becomes FRG East, in August a West and an East German filmmaker record one of the last GDR inconsistencies for DEFA. The state in pre-retirement sends 425 Namibian children, whom it had rescued from Angolan camps eleven years earlier, “home.” Hastily. But why? When Grote, Kunert and the children arrive, a Namibian minister explains that the East German supporters of these colonial war victims are now out of power. The new powers had no interest … In the Leipzig festival selection in 1990, and again in 1991, this film about German-Namibian foreignness and alienation cannot be found. The Retrospective 2024 makes up for this strange omission.