Sebastián Arzeno

Pedro receives a desperate message from an ex-girlfriend asking him to look after her senile mother, Alicia. What seems like a simple mission soon becomes his worst nightmare. Pedro needs to escape; but Alicia won’t let him...

Andrea, in search of her biological family, feels stalked by an invisible threat. Other women before them have suffered the same fate. Twenty years earlier, on the other side of the world, Camille, fascinated by Marie, tries to warn her of a threat hanging over her.

In a bid to save her son's end-of-school camping trip, a single mom steps in as the bus driver while trying to show him she really can be a cool mom.

Érica struggles to build a new life with her young daughter, Flor, but everything is threatened when Pedro, her ex-partner and Flor's father, is released from prison after three years. At first, everything seems fine, but the fragility is shattered when Pedro can't control his dark impulses, unleashing a family turmoil.

A successful transgender actress and her lawyer husband decide to adopt a child, defying the conservative community in Argentina. But their attempt for a domestic happiness is thwarted when they visit the actress's hometown.

A woman's voice says she was wife to Renzo Franchi and Carlos Gardel (1890-1935), Argentina's great tango singer. People say she's crazy. Her story unfolds. Buenos Aires, 1933: Juana Romero, a seamstress who lives for the music of Gardel, dumps her boyfriend Gustavo for Renzo, a singer who looks like Gardel. She insists that his trio performs Gardel's tangos, which leads to Renzo recording a Ford commercial when Gardel himself is overbooked. The trio, with Joanna in tow, goes on an ill-fated tour of points north. The couple breaks up: she goes home and he tries to get to New York. Fate steps in, and once again he's called upon to pose as Gardel. Then, legend and a bracelet take over. Written by

Cranky, crafty and always immaculately dressed, aged master tailor Abraham Bursztein finds himself facing his winter years in a retirement home after discovering his children have sold his home out from under him. Not one to go quietly, Abraham unexpectedly travels to Poland in order to deliver a suit to a childhood friend who saved his life during the Nazi occupation.

Estela and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Estela's father has inherited from her.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

An aging slacker finds his comfortable status quo and family dynamic disrupted when his ex-wife and her current partner decide to move from Argentina to Paraguay and take his children with them.

A writer who pins hopes on a free-spirited 25-year-old he meets in Montevideo to get through his midlife crisis. But his day turns out to be the most unexpected and transformative day of his life.

Ivana Cornejo is just getting used to being single again after her divorce three years ago. After an exasperating call from her ex-husband, she throws her cell phone away. Fortunately, the man who finds it calls her to return it, and to her amusement they have an instant rapport. The man on the other end of the phone is León Godoy, a renowned architect with a charming voice and a charismatic personality. They schedule a date so that he can return the cell phone. When León arrives, Ivana is surprised: he is everything she had imagined, except for one unexpected and startling detail... he’s only 4'5" tall.

David Samaras, "el Griego", is the general producer of the popular talk show "Hoy se arregla el mundo", where supposedly ordinary people resolve relationship, couple, friendship, work, parent and child conflicts. The most enduring bond in his life is Benito, his 9-year-old son, the fruit of a casual relationship. The story changes completely when he learns that Benito is not his son. The search for the real dad will lead them to a crossroads much bigger than the one they set out to face.

Marcela’s world becomes strange and unfamiliar after her sister Rina dies. She feels lost in her own house, and her relationship with her husband and children seems to suffer. But when Nacho, a young friend of her daughter’s, unexpectedly drops by, she starts to talk and walk with him. Gradually Marcela begins to have conversations with relatives from another dimension.

The life of Berta Muller, a successful writer, is shaken when, at the peak of her career, she is exposed in the media for plagiarism. Far from taking responsibility, he will deny the accusations and try to justify himself ridiculously, even if it means exposing all his darkness.

Leonardo, an optimistic travel agent, falls in love with Lucía, a mother trying to rebuild her life. But to become part of the family, he must first accomplish the most difficult task: winning the hearts of her two children.

The evil Nasty comes to our world with two objectives -- kidnap Buji, and carry as much candy as possible back to his world. He has the ability to 'shape-shift', and using the appearance of Dibu, he holds up a bank so that he can get enough money to buy the candy. The police wrongly imprison Dibu, who manages to escape and confront Nasty.

Marina, Sofía and Violeta are three teenage sisters who have just suffered the loss of the grandmother who raised them. Each one will live the mourning in her own way, in a house inhabited by a myriad of memories, responsibilities and tensions.

Luisa works temporarily babysitting children in a factory. For an inopportune occasion, they are left with their boyfriend in charge of a boy who accidentally suffers from drug poisoning. Luisa and her boyfriend will be involved.

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.