Achal Mishra

A meandering brook of moments from two afternoons spent with Vinod Kumar Shukla, his wife and son at their home in Raipur, saunters between the mingling geographies of past, present and future, drifting in and out of pauses – to ponder, to reflect, to reminisce, and to share.

In a smog-choked village in Haryana, a retired professor turns to an outlawed ritual, crafting a calf doll from a stillborn's body, to save his cow from the urbanization slowly erasing his rural world.

Sumit and Priyanka, an eloped couple, return to their hometown, due to the financial hardships caused by the lockdown. As Priyanka seeks to leave Sumit and return to her conservative father's home, Sumit, oblivious to this, wastes his time away.

Pankaj is a small-town theatre actor with dreams of making it big in Mumbai. But faced with obligations to his family, which is under a deep financial strain post the lockdown, he is forced to weigh his dreams and make a choice.

Glimpses of everyday life in Ladakh on a long summer evening. Through vignettes of daily life, landscapes, and wildlife, set entirely during the liminal blue hour, Ri paints a portrait of Ladakh as seen through the eyes of a traveller.

In a north Indian village, a family reunites at their ancestral home to celebrate a new birth in the family. It’s a joyous, carefree occasion. Over the next two decades, through festivals and feasts, births and deaths, the film observes one house as it ages and falls to neglect.