Katarzyna Trzaska

The movie is about three brothers and a sister. The brothers include a would-be tough guy thug, a sleazy lawyer and an anarchist. The anarchist and the sister (Maria Strzelecka) have a thing for each other that is more than just sibling affection. Each of them is facing a problem of their own making. A lot depends on how they deal with their issues, as there isn't much lower they can stoop other than being dead. In the beginning of the film there is a lot going on, which makes it a little hard to follow, but that goes along with the theme of chaos.

Raised in Warsaw's Praga, Mirka graduated from the prestigious faculty of law. It would seem that her profession would even be detracted from the honor of a family with cunning roots. The girl's grandfather and father pride themselves on stays in numerous prisons. However, Mirka's legal knowledge can be very useful in the fight to save the old tenement house. As a result of a suspicious transaction, the tenement house where Mirka has been living since childhood is to be demolished. All the leads lead to the law firm "Łopian i Pokrzywa", which is just looking for a new lawyer - a man. In order to help the inhabitants of the family tenement house, Mirka must engage in a daring hoax. She is helped by her uncle Bogumił, a makeup artist and a representative of a sexual minority. Thanks to him, a beautiful girl will turn into a handsome young man and hire him in a suspicious office.

Emilka meets the slightly-older Maciek out at a club one night. He shows Emilka—who was brought up by a single mom—a whole new world filled with desire, passion, restlessness and rebellion. The girl moves in with him and at first everything seems just perfect, but gradually Emilka discovers her separate identity, and starts to grow apart from him. When her dream of becoming a singer comes true, Maciek feels threatened. A toxic love game begins, full of lust and jealousy.

A docu-comedy about three neo-hippies from Berlin who move to a farm in Poland to be closer to nature. They meditate, practice acroyoga and shower in the garden. The villagers consider them complete eccentrics.

Extravagantly expensive massaging mats, rejuvenating ampoules and sets of steam pots are only a few of the vast spectrum of objects sold by young salesmen at suspicious commercial presentations for old-age pensioners. Protagonists of the film are five friends fascinated by such presentations. They spend their savings on such products not out of necessity, but in the attempt to fill the emptiness in their lives. The absurdity of these purchases shows their fight against getting old and against their loneliness.

Each year in Poland around 70,000 children and teenagers remain in the foster care system. The great majority of them have living parents – dysfunctional, addicted. The film shows the first years of the independent lives of Marietta, Michał and Ania, who were brought up in orphanages.