Acting
Biography of the famous bandit El Tempranillo, acting with impunity in Sierra Morena during the reign of Ferdinand VII.
No description available.
A former convict, named Raul Vela, and a cabaret singer, called Clara, are a couple who tries to lead a normal life. He has found an employment and she wants to leave the cabaret. One day an old chief, who wants to disappear, proposes him to justify his supposed death in a supposed accident. In exchange, Raúl will receive one hundred thousand pesetas as gratification. Raul refuses to engage in the deception. Shortly after, he reads in a newspaper about the death of Cervera, which makes the police relate him to the case.
Verónica (Maru Valdivielso) is a young executive who works in a dairy company. One day before going on holiday to the carnivals of Rio Janeiro, the company is blackmailed by a batch of poisoned yogurts. The president of the company gives a heart attack and Veronica goes to visit him to the hospital. There he meets a young man (Pablo Carbonell) who runs away from someone who wants to kill him. Suddenly, the young woman is involved in a series of entanglements, blackmail and persecutions, caused by men who cross their path, all obsessed with crazy love for a puzzling woman fatal.
Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.
A female lawyer passionately defends criminals, believing that everyone deserves a second chance. But her latest defendants have no qualms about making her their next victim.
Armando, a natural prodigy with lethal attributes, capable of killing both his wives at first glance on their wedding night, decides to visit a psychiatrist friend and falls in love with his wife, her twin sister, and everything in between.
The life of the family inordinate surveyor Carlos Alonso has undergone several changes over the course of the years: the birth of child number 16, little Maria, coincided with the death of the mother, who left behind a hollow refillable. The grandfather also died. The Godfather pastry married, and the boys have been growing rapidly ...
Manuela and Juan, a young couple who has been married for four years, likes to practice sexual games. As part of that games they want to include Juan's secretary, an old nun, secretly in love with Manuela.
Told in a manner more common during the Franco era, this movie tells the story of a man who fought with the Republican forces during the Spanish Civil War (1936-39) and has been hiding in the hills for 10 years. Local people help him avoid constant searches by the police, who know he is there. A returning exile seeks him out to try and get him to surrender, with tragic consequences for both of them.
