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Kao Pao-Shu

Kao Pao-Shu

Acting

Biography

Kao Pao-Shu (Chinese: 高寶樹; 1932–2000) was a Chinese actress, producer, writer and film director who appeared in over 100 films during her career. Originally from China, Kao moved to Hong Kong in 1951, where she acted in minor role before joining Shaw Brothers Studio in 1958. Here, she starred in over 80 films, working alongside directors Yueh Feng and Cheng Kang, and she made her directorial debut in 1970 in Lady with a Sword. Later she started her own company, producing films throughout the 1970s before she retired in the 1980s. In July 2000, she died at the age of 68.

Known For

The Monkey Goes West
8.0

THE MONKEY GOES WEST is the first entry in the studio’s epic, four-part screen adaptation of “Journey to the West,” a 16th-century novel recounting the efforts of a Buddhist monk and his magical companions to travel to India and bring back Buddhist sutras.

The Monkey Goes West

1966
The Love Eterne
7.0

In this dreamy romance set in China during the fourth-century, a young woman convinces her parents to allow her to dress as a boy and attend university.

The Love Eterne

1963
The Master Strikes
6.4

A martial arts master, Tseng Tien-Tu, is employed by master criminal Lung Tung Chien to transport a valuable jade horse. When the horse inexplicably goes missing, Chien demands Tseng's life savings as recompense, driving the uncomprehending Tseng insane. Two conniving con men, Li and Lung, try to convince Tseng that he was double-crossed by Chien, in an attempt to lead them to Chien's stockpile of swindled fortunes.

The Master Strikes

1980
The Blue and the Black
6.6

It's a powerful melodrama about a thwarted romance in 1930s Tientsin, China, during the Japanese occupation, and it stars Linda Lin Dai, one of the era's most popular stars. It was part of Golden Horse's 100 Greatest Chinese-Language Films.

The Blue and the Black

1966
Love Without End
7.1

Li Qingqing, an orphan, just arrives in Hong Kong and becomes a singer who sacrifices everything for her man.

Love Without End

1961
Empress Wu
6.4

The renowned Li Li Hua plays Wu Ze Tian, the most famous woman in China's four thousand year history.

Empress Wu

1963
The Story of Sue San
6.5

This gripping story centers on the romance between Wang Chin Lung and Sue San. Although they may be perfectly matched when it comes to their love for one other, the two come from remarkably different social ranks. While Chin Lung is the son of a respected government official, Su San is a prostitute, albeit a famous one.

The Story of Sue San

1964
Sons of the Good Earth
5.3

The year is 1937, just prior to the Japanese invasion of China. Painters Ju Rui and Lao San stumble upon He Hua, a woman sold into the sex industry at a local brothel.

Sons of the Good Earth

1965
Trilogy of Swordsmanship
6.5

Three martial arts directors united for this unique anthology film. Yueh Feng writes and directs a clever love-and-kung-fu triangle, Cheng Kang both writes and directs kung-fu courtesans battling brigands, and the "godfather of the kung-fu film," Chang Cheh, creates a cliff-hanging, swashbuckling mini-movie with maxi-action.

Trilogy of Swordsmanship

1972
The Butterfly Chalice
6.3

The story revolves around Tian Yu Quan (Chin Feng) who rushes to the aid of an elderly fisherman who is bullied by an arrogant relative of the Qiu Shan ministry. In the heat of the ensuing battle he kills the said man and is hence chased by the district's officials. Trying to use the waterway to shake off his enemies, Yu Quan finds a true friend in the old fisherman's bark-stearing daughter, Hu Feng Lian (Ting Hung) who becomes his loyal accomplice. As symbol for his gratitude, Yu Quan bestows Feng Lian with a Butterfly Chalice to reflect their eternal friendship bond...

The Butterfly Chalice

1965
Lady with a Sword
6.2

After a trio of rogues murder her sister and leave her nephew for dead, a skilled swordswoman seeks revenge upon them and soon discovers she has a dismaying connection to the main culprit.

Lady with a Sword

1971
The Dream of the Red Chamber
7.3

The Ching Dynasty novel The Dream of The Red Chamber is not only the most widely read, but also the most filmed book in Chinese history. The sprawling love story has proven a challenge to many filmmakers, but this version is acclaimed as the most successful. A sumptuous feature which took three years of planning and another for production, it was a hugely popular and critical hit which still stands out as a classic of both 18th century literature and 1960s moviemaking.

The Dream of the Red Chamber

1962
Temple of the Red Lotus
5.1

Jimmy Wang Yu plays a young kid who heads off to Dragon Valley to meet the childhood friend who was promised as his bride. When he gets there, he finds that the family of the bride might not be an entirely honest bunch of people though. What is the story behind their feud with the monks at the Temple Of The Red Lotus, for a start?

Temple of the Red Lotus

1965
Blood of the Dragon
6.4

White Dragon must get a list with the names of rebel supporters to Prince Ma Tung, the leader of the rebellion. Trying to stop him in his mission is the evil Prime Minister, who naturally wants the list in order to crush his opposition. Adding another complication is the fact that Ma Tung wants to kill White Dragon in revenge for the humiliation Tung's father suffered in a duel against White Dragon years earlier.

Blood of the Dragon

1971
The Midnight Murder
7.5

The heroine, Liu Yanniang, is a beautiful and virtuous woman who is in love with her husband, Wang Zhengtu. However, because of her disagreement with her sister-in-law, Yuhuan, who was unfortunately killed, Yaniang was mistakenly accused of murder by the king's mother and her husband's son-in-law. The governor of Suzhou, Mr. Yan Wentian, is very strict with the king, but just when he finds a clue, the witness is killed again. Yen is not satisfied with his efforts, but he realizes that the murderer has already come to his doorstep.

The Midnight Murder

1967
The Twin Swords
5.6

Gui Wu happens upon a kidnapping with his wife Gan Lian-zhu at the Red Lotus Temple. Lian-zhu sends Wu to go for reinforcements while she stays to fight the kidnappers. Fortunately, the mysterious Scarlet Maid is surreptitiously helping her.

The Twin Swords

1965
The Damned
4.3

To free his girlfriend from her contract with a greedy madam, Shang Li (Don Wong) teams up with a cold-blooded thief called the Sparrow (Chiang-lung Wen) to hijack a large shipment of silver. But when the heist suddenly goes bad, Shang Li finds himself with blood on his hands and a price on his head. Martial arts superstars Angela Mao and Lieh Lo also star in this kung fu classic from writer-director Pao-Shu Kao.

The Damned

1977
The Adulteress
9.5

The noted actress Li Li-hua, star of more than sixty films since 1947, beautifully portrays the drugged, then disgraced wife of a peddler in the waning days of the Ching Dynasty. To make matters worse, she’s soon framed for her husband’s murder by her rapist - the son of the local magistrate! And even that isn’t the end of her woes. It’s best to have a box of tissues nearby as two expert directors ratchet up the emotional suspense in this consummate tearjerker.

The Adulteress

1963
Vengeance Is a Golden Blade
5.2

Li Zhishan is a rich man, but wealth cannot keep the loyalties of his wife, who has been visiting the bed of a rival. She helps plot against him, and the Vicious Long Brothers invade his home and steal the Golden Dragon Blade - a sword that makes its wielder unbeatable. Zhishan, crippled in the attack, and his young daughter are whisked away by a devoted servant, and the trio soon find shelter in the home of an herbalist. Years pass, the daughter grows up to be a lovely young woman and a powerful fighter, and the Long Brothers use the Golden Dragon Blade to gain power in the region. Zhishan's family of sorts has managed to stay well hidden, but a trip into the city - the daughter's first - sets off an old power struggle as Zhishan's wife discovers her daughter is quite alive.

Vengeance Is a Golden Blade

1969
Comedy of Mismatches
N/A

Comedy of Mismatches begins with widow Sun who single-handedly raises her son Yu Lang (Chin Feng) and daughter Zhu Yi (Li Hsiang Chun). One day, Mother Sun sends her children to the temple, where Yu Lang encounters Hui Niang (Pat Ting). Artist Xu Ya is also at the temple, praying that his daughter Wen Gu (Carrie Ku) will find a good husband. Soon after, Wen Gu encounters nobleman's son Pei Zheng (Wai Mao) and the two fall in love at first sight.

Comedy of Mismatches

1964