Bernard Dubois

During World War One, in a small rural French village far away from the front, a gamekeeper and his wife take in children displaced by the war.

Group of children are having unforgettable summer vacations.

Jean, a married 40-year-old filmmaker, and his young working class lover, Catherine, engage in a circular series of spectacular blow-ups and tentative reunions, their mutual desire a fire that burns them again and again.

No description available.

Film comprised of six vignettes each illustrating one aspect of life in the French capital, each set in a different area of the city.

In a deliberately erratic and disjointed fashion, this film follows the adventures of Bernard (Jean-Pierre Leaud). A young man from the provinces, he makes his pilgrimage to Paris and seeks adventure while living on a barge.

The story of a dysfunctional family in Northern France. Dad is a mean abusive drunk pharmacist, mom is addicted to pills and has incestuous desire for her son, the son is skipping school to fish and daughter is mentally handicapped.

Monique is dying of cancer, lying in bed in the apartment above the store her family owns. Her philandering husband carries on with life, her son remains aloof, and her daughter-in-law wonders if she is witnessing her own decline. They all struggle to express, or feel, their love for one another.

Having murdered her husband and daughter, Carol invents a new identity to start a new life. Unfortunately, her tendency to express their unhappiness or disapproval by murdering her victims could jeopardize her romance with mathematician and philosopher Ignacio from Spain.

I give a methodical account of my film work: the creation of new series (Lire, Trio, Avec Mariola), the shooting of a new feature film (Amours décolorées which will take ten years to edit) with Mariola San Martin.

A story about summer vacation of six young boys and their friends in France during 1917.

This thriller looks at the defection of a terrorist and focuses on frequent violence and repetitive sex scenes with full frontal nudity. Henri (Hubert Lucot) belongs to a terrorist gang that orders him to kill the sister of one of their members. The member himself died when he single-handedly carried out an attack on a carload of American military advisors in Paris. Henri balks at this assignment, since the gang only wants the sister assassinated because they believe that she would name them to the authorities. Instead of following through, Henri runs away, and the others soon follow in hot pursuit.

Five romantic characters share their lives in a vast castle. Each in his own way is looking for an absolute: J. wanders in the graveyard, B. hacks, C. causes love adventures, A. walks the forest on his horse, and F. repeats in a rock band . A. and J. nourish an idyll that leads them on an "initiatory" journey. Different states of mind pass through them, a sweet mixture that will make them rediscover the world of childhood and haunted castles ... Sonorized with the voice of Antonin Artaud, shot with a very contrasting photographic process, Le rouge de chine refers to the origins of cinematograph.

What happens to the actors when they are left to their own devices? How to tear the screen of conventional cinema?