Writing
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A Bolshevik army officer and Uzbek who has been nursed back to health by a young Uzbek woman to whom he is now married, gains responsibility for the local village in 1929. He is urged by comrades in Tashkent to have the local women drop their chadors and veils but he is also told that he should not force this on anyone. His wife declines to take off her veil, so a 14 year old girl steps forward to set the example, over the objections of the local Muslim clergy and most of the village men. After the girl is killed, and the commissar is shot, his wife takes him to the hills to nurse him back to health once again. She begs her husband to leave the village. Instead when he decides to return, she is pressured by her father to continue to wear the veil.
About the fate of Hamza Hakim-zadeh Niyazi, an Uzbek poet, playwright, and public figure.
The film portrays with exceptional psychological depth the image of the miser Cory Ishkamba, a disgusting money-grubber and exploiter, a hypocrite and a hypocrite, whose name has become a household name.
The famous textile worker Natasha Abrikosova travels from Moscow to Tashkent to introduce the innovative method of the Vinogradovs at a textile mill (E. Vinogradova was the film's technical consultant). However, the director of the plant, Rizaev (a hidden enemy), is trying with all his might to thwart Abrikosova's plan. Having chosen Asal as her assistant, the girl soon achieves a record output and, thereby, provokes Rizaev to an open crime.
The plot is based on facts from a military biography of General Sabir Rakhimov, the division commander in the Second Belorussian Front. Time of action - World War II.
