Lila Biro

Pierre Lachenay is a well-known publisher and lecturer, married to Franca and father of Sabine. He starts a love affair with air hostess Nicole, which Pierre is hiding, but he cannot stay away from her.

Lila Biro is a remarkable character who witnessed Rossellini in India, played a key role in the cutting of key titles of the French New Wave, and was a close collaborator of the Hungarian émigré painter, Atila Biro. For me, however, she’s also the star witness in a crime against film grammar: the jump cut. The editing style of Jean-Luc Godard’s Breathless is now legendary, but I’ve always wondered what it must have been like in the cutting room when that revolutionary editorial decision was made. Thanks to Lila, that moment is vividly brought to life.

A secret agent uncovers four atomic rockets with a lethal gas warhead which have been stolen from a secret factory, and a dastardly plot.

Irish-born journalist Peter Lennon examines the contemporary (1967) state of the Republic of Ireland, posing the question, “What do you do with your revolution once you’ve got it?” It argues that Ireland was dominated by cultural isolationism, Gaelic and clerical traditionalism at the time of its making.