Camera
The black room. Enclosed space. The action unfolds as if slowly. You understand that every word, every gesture of the heroes have a special, secret, as yet absolutely incomprehensible meaning. But you feel: you can't miss a single nuance. There are two or three heroes in each novel. There is a real drama between them, which ends with an explosion. Sometimes figuratively, and sometimes literally. Time is continuous: there is no yesterday and tomorrow.
Eleven comedic vignettes featuring conversations – some important, some less so – held in restaurants over coffee and cigarettes (how quickly time flies – cigarettes are banned in Russia’s restaurants now). The conversations are candid, and even veer into the territory of murder. In the final credits, the director apologizes to Jim Jarmusch, whose work (in the anthology Coffee and Cigarettes, which Jarmusch shot in pieces over many years) Oldenburg-Svintsov is clearly indebted to. Sex, Coffee, Cigarettes’s kinship with Jarmusch’s film extends to the fact that superstars play tiny roles in almost all of the vignettes.
Country cottage. Bosom school friends — an investigator, a doctor, a rich housewife, a businessman, a drunkard and an actor, people of different professions and lifestyles, gathered to celebrate a modest date — 15 years since graduation. Suddenly, near the house, on a holiday, there appears ... a terrible crank bear. A shot rings out. The dangerous beast is dead.
A man has died in a mountain village. The bandsmen are forbidden to accompany the deceased to the cemetery. There is a war going on, and this is the border that the locals are not allowed to cross...
A young and handsome prison guard falls in love with a beautiful lady-prisoner. She makes him hooked on sex and manipulates him into becoming a gang member. He kills and steals under her control.
Young d'Artagnan comes to Paris to be a musketeer. There, he meets three old musketeers, members of the glorious King's Guard, but actually realizes that they are not the great fighters who he thinks they are. While joining the musketeers he is faced with the hidden plots of Cardinal Richelieu, his spy Milady de Winter, and a possible war against England.
A young businessman learns that his former lover died in childbirth and she left a child who is being raised by her sister, who is also in love with him.
The events take place in New York in the apartment of the mother of the owner of a seafood restaurant, Barney Cashman. The man is already over 40. One fine day he thinks that he has lived a gray, boring life: he has never cheated on his wife, never got into a fight, or gotten involved in any adventure.
Ira is Russian. Ivan Tashkov, too. She is 23 years old, lives in Geneva with her mother and knows very little about her homeland. Tashkov is a supposed gangster of the Russian mafia, and is in jail waiting to be judged. Ira, who is searching for her roots and her own path in life, happens to be the interpreter of Tashkov's defense lawyer, and gets instantly captivated by of this powerful, cultured and manipulative man.
No description available.
The simplest Russian woman unexpectedly gets in the way of a violent criminal. She must at all costs give them the required (and for her just incredible) amount of money, otherwise her daughter is in danger. How to find a way out? Tormented by this question, she makes a difficult decision.
