Attila Fodor

An elite trio of astronauts aboard a years-long, possibly compromised mission to Saturn's moon Titan, gears up for a highly dangerous slingshot manoeuvre that will either catapult them to Titan or into deep space.

Four small-town boys are kidnapped by James Whitley, a warm-eyed psychopath. His grotesque pursuit to reunite orphaned children with their deceased birth parents is halted when the boys escape and he is arrested. Fifteen years later Whitley flees during a prison fire and decides to see his mission through. Detective Larson, once Whitley's prior victim, is removed from the case due to impartiality leaving his partner, and lover, Detective Shotwell to solve the case. Fueled by rage and a chance of redemption, Detective Larson chases the steadfast psychopath on his own only to fall back into the same trap he once escaped as a child.

No equal signs of justice can be drawn between those who are accused of a crime, those who are convicted of a crime and those who are the true offenders. That triangle always contains the accused who are not guilty and true offenders whose guilt cannot be ultimately proven. Throughout history, one of the greatest deviations in the strive towards equality has occurred in the triangle of guilt in sexual crimes, where guilt is largely proven on the basis of a woman’s will.

The third part of the BP Underground series is about Budapest's underground electronic music scene. Just like the other episodes it also evokes the emergence and growth of the genre with its unique visual world and a lot of archive footage. Among other things, it seeks to discover how Budapest as a center shaped the subculture.