FEEL IT.STREAM
Rika Aoki

Rika Aoki

Acting

Biography

Born Sharon-Lee Yoshida (Morris) to an American father and Japanese mother, Rika adopted both the first and last name of her manga counterpart as her stage name. Obviously, her mixed-race heritage was a large factor in her winning the part, though she also stood at an impressively statuesque 5ft7 (the average height for Japanese women is 5ft2), further accentuated by a pair of high-heeled boots, perfectly matching the leggy manga heroine. Taro Bonten, the creator of the manga, was full of praise for Rika saying ‘I never thought I’d find someone so perfect’. Despite this, Rika was quite self-deprecating about her looks and, by the language she uses, it seems like she may have unfortunately faced racism while growing up: ‘I look like a monkey, just like my papa. My younger brother is handsome and looks just like my mama.’ Rika’s legs weren’t just for looking at – her height advantage led to great athletic prowess throughout her high school career. Rika modestly stated ‘I was a track and field athlete in high school, running the 100m in 13 seconds flat and scoring 1.6m in the high jump. I also learned karate.’ In reality, her 12.9 second time placed her 2nd in the national high school record. Given Weekly Myojo’s vested interest in their new star, they were keen to give Rika as much publicity as possible leading up to the film. Between her casting in February and initial shooting in October, she enjoyed constant attention in the pages of the magazine. Being a total amateur, Rika underwent extensive training in acting and modern ballet (presumably to achieve the high kicks necessary for the character’s kickboxing-esque fighting style) to prepare for the role. However, she also received training in singing, clearly showing an intention to push Rika to stardom across all disciplines; at the time it was common for top actresses to record at least one single, but that usually came after they were established names. Her first single was released in June 1972, almost a half year before the film’s release to truly kickstart the hype train. At the same time, she also became a regular on TV screens as the “cover girl” for the variety shows Yo! Don and The 11PM Show. This all ensured that Rika was close to becoming a household name even before the film was released – Weekly Myojo stated that she ‘was a hot topic of conversation nationwide.’

Known For

Rika 3: Juvenile's Lullaby
6.0

Reform schools are a way of protecting society by ridding it of lawless juvenile delinquents. But who's protecting the juvenile delinquents from corrupt reform schools? Rica could be considered a bit of an expert on reform schools, having spent most of her early life in and out of them. When Rica is dragged back once again, she gets a severe beating and is finally sent off to a mental hospital with the intention of selling her and her pals into a slave trade. A trader takes Rica's friend Jun to a mountain cottage where she's pegged for the lead in his clandestine porno film operation. Once again, it's up to tough-as-nails Rica to bust up this corrupt racket once and for all!

Rika 3: Juvenile's Lullaby

1973
Rika 2: Lonely Wanderer
4.0

Rica wanting a fresh start leaves her friends and past life behind or at least that is what she thinks as trouble always seems to find her. Rica's looks into a ship that exploded and everyone who survived this disaster who comes in contact with her dies. Rica only chance of solving the mystery of the sunken ship is if she can locate a old friend of hers who just happened to be on that ship the night it blew up.

Rika 2: Lonely Wanderer

1973
Rika: The Mixed-Blood Girl
4.9

First film of a trilogy following the dramatic life of Rika, a half-Japanese/half-American woman who becomes the tough-as-nails leader of an all-girl crime gang.

Rika: The Mixed-Blood Girl

1972
Student Yakuza
7.0

A youth action movie in which a student lone wolf who burns with unstoppable strength, courage, and a sense of justice rampages against a gangster.

Student Yakuza

1974
Babes Behind Bars
2.3

This outlandish compilation of trailers and clips spotlights the women-in-prison sub-genre of grindhouse exploitation films.

Babes Behind Bars

2013