Stanislav Rostotsky

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In a remote village in Karelia, Sergeant Vaskov commands an anti-aircraft unit that protects a rail depot. While his men are transferred to the front line, he is reprimanded for their unruly behavior. He retorts that he wants replacements that aren't drunks or womanizers. In response, he is assigned a unit made up entirely of young women, fresh from training.

Vikings attack Kuksja's village, and end up bringing him along on their ship because they believe he is good luck. After proving himself in a battle against the dreaded Danes, chief Torir bestows upon him the name of Einar and takes him in as his son. Back home in Norway the men are received as heros, but new trouble arises when Kuksja falls in love with the beautiful Signy, who is already betroth to the vicious Sigurd.

The quiet life of the county town ended with the arrival of two young people from the capital, and what followed will remain in the memory of local residents for a long time. Intrigues and passions, meanness and nobility, love and death are closely intertwined in the life of an outwardly decent society.The outstanding Russian writer brought to the pages of his novel a number of famous and vivid characters who prepared the tragic events that happened in Russia in the 20th century through their activities.

A touching story about a white Gordon Setter with black ear, who became homeless because of his master's illness. His master, Ivan Ivanovich, a man far from being young, fond of hunting and nature, took a puppy to live with him, despite the dog's black ear being a "shame of nature" to his breed. The man always took his dog, whom he called Bim or Bimka, to hunting in country. Later, however Ivan Ivanovich began to have problems with heart and when the disease became worse was taken to a hospital. His dog couldn't bear waiting for the only person that ever cared for him and set out to find his master. Thus began the story of a homeless dog and his many breathtaking and exciting adventures, encounters of many people, kind and evil, and leads to an unexpected and heart-rending end.

White Bim Black Ear (Russian: Белый Бим Чёрное ухо, translit. Belyy Bim, Chyornoe ukho) is a 1977 Soviet drama in two parts directed by Stanislav Rostotsky. It is based upon the book of the same name, written by Gavriil Troyepolsky and is about a white Gordon Setter with a black ear who becomes homeless because of his master's illness.

May 1945. On the outskirts of Prague, ordinary people meet Soviet soldiers-liberators with tears of joy in their eyes. In the early days of the lull, someone sadly recalls a pre-war life; someone unexpectedly meets his love; someone is returning from enemy dungeons looking hopefully into the future; and someone, having moved from a tank into a Czech tram, warmly recalls his craft as a car driver... These days, all those who survived the Great War fire swear an oath to keep peace on Earth forever, honoring the memory of those who gave their lives for simple human happiness.

Three kids from a coastal village in the Far North discover an old rifle in a cave. They learn about a national hero Guriy Gagarka and organize an expedition to gather more info on him.

Tractor driver Matvey Morozov returns to his native village from the prison. And he recalls the story of his marriage, his fatal love, failed betrayal and committed reckless “crime”, in which he doesn't repent at all.

Russian officer Pechorin falls in love with Bela, the daughter of a local chieftain. By tricking her brother Azamat into abducting her, he calls upon himself the wrath of horseman Kazbich.

A progressive agronomist fights with a conservative collective farm chairman.

After the death of Bela, Pechorin was unwell for a long time, and then left the fortress and Maxim Maximych and left for Georgia. Since then, the headquarters captain had no news of his friend, often recalled and carefully carried his diaries in his wanderings. Five years have passed... Once at a post station near Vladikavkaz, Maxim Maximych with delight learns that Grigory Pechorin also came here. The long-awaited meeting brings an unbearable pain and bitterness of disappointment to the old warrior. In his hearts, he mercilessly parted with the travel notes of the ensign. And his random companion finds on the yellowed pages the story of the soul of an amazing, extraordinary person who brings misfortune to others all his life.

Fifteen years old Sasha is dreaming about adventures, falling in love and doesn't know that WWII is approaching...

Mid 20th century. Industry is developing rapidly and the need for workers in factories is growing. After graduating from the tenth year, Viktor Chernyshyov, now a city dweller, did not bother to continue his education and went to the plant as a turner. He considered it quite normal that the guys enthusiastically listened to the stories of his peer Kolya, a lounger who boasted of victories over women, and participated in his dubious amusements. Only one of them, Pyotr — a real worker, a doctor, tried to reason with Kolya and the others.

A respected history teacher, Ilya Semenovich Melnikov, decides to quit his job due to distressing rumors about a colleague who is in love with him. His final week is disrupted when a student's controversial essay on happiness sparks a classroom conflict. Melnikov's intervention in the situation ultimately causes him to reconsider his decision to resign.

Vyacheslav Tikhonov's roles are discussed by his colleagues.

Story of life of Fyodor Kuzkin, who shared all the burdens of the 30s Stalins terror and after, WW2 and post-war years.

Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.

A young girl Svetlana just arrived to the small town when a war begun. Her fiancé Igor did not meet Svetlana so she stayed alone to wait for him.