Behnaz Jafari

It is the story of a family on the first of September 1941, which undergoes changes during the occupation of Iran by the Allies.

Maryam accidentally killed her husband Nasser and is sentenced to death. The only person who can save her is Mona, Nasser's daughter. All Mona has to do is appear on a TV show and forgive Maryam. But forgiveness proves difficult when they are forced to relive the past.

The whole story started on a spring morning in Shekar Abad, where Jamshid Ghasempour was released from prison and Reza Khorsand finally got a job. But something happened that ruined everything.

The story tells of friends who will spare no effort to stay together. A crisis is coming that will change the good days.

A political prisoner in Shaah regime who lost his little girl in Tehran City before his conviction, be released and return to his own city (Khorramshahr) after 15 years. In this time his girl knows about her origin and try to find her father, but Iran-Iraq war begins and Iraq army brunt to Khorramshahr City.

The story of an orphan boy

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

A satirical take on the mundane absurdities of life in modern-day Iran, these nine vignettes illuminate the lighter side of enduring under authoritarian rule. Whether choosing a name for a newborn, graduating from grade school, getting a driver’s license, applying for a job, or seeking approval for a film script, if you live in Iran, you best come fluent in Orwellian discourse.

A story about a poor girl working in a 5 star hotel in tehran and the workers of the hotel when somthing priceless will stolen...

It's a lot of money. A perfect map is needed to eliminate obstacles and achieve this wealth. A pure and complex map that requires a professional assassin. He is probably the smartest and most ruthless.

Mitra is a famous lawyer who one day a crime happens in his office. Therefore, he is forced to start an investigation about one of his clients to defend himself, and in this way he faces problems that even endanger his job.

Filmmaker Jafar Panahi and actor Behnaz Jafari travel to a tiny village after receiving a plea for help from a girl whose family has forbidden her from studying acting. Amusing encounters abound, but they soon discover that the local hospitality is rivaled by the desire to protect old traditions.

Moments after the earthquake, a young teacher in a village outside the town of Bam, scrambles from under the rubble and finds out that her colleagues has died in the quake. She sets out for the town of Bam to get rescue aid for the villagers, but to her amazement, she discovers that the main tragedy has occurred there. Cries of help are heard from every side and the hospital is filled with the injured and the dead. On the recommendation of a cleric, she goes to the mortuary to help with the washing of the dead bodies of women. A prisoner, who managed to get out after the prison building is destroyed asks the teacher to wash the bodies of his dead mother, wife and child, Arezu.

It's about a mysterious and complicated police case, and the description reads: "I love girls who are made to fight life."

Lantouri is the name of a gang that mugs people in broad daylight on the streets of Tehran and breaks into homes in the city’s rich northern district. The gang also kidnaps children from families who have become wealthy through corruption and embezzlement of state funds. The film begins with the confessions of individual gang members. Sociologists, human rights activists and political hardliners also have their say. Gang member Pasha runs amok because Maryam, a socially committed, self-confident journalist, does not reciprocate his feelings. The badly injured young woman demands lex talionis – the law, applicable in Iran, of ‘an eye for an eye’.

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

Tomorrow is Samira's wedding ceremony and Bahar and Parisa are shopping excitedly. But at night somebody calls and tells them that the bride is dead and the wedding has been called off. They are both shocked and they cannot believe what they have heard, so they go straight to their friend's fiancé, Mansoor, to find out about the cause of her suspicious death.

'Resident of the Middle Floor' tells the quirky tale of a depressive writer (Shahab Hosseini) struggling for inspiration. He immerses himself into each new idea, playing the roles of his characters before our eyes. Slowly, these fantasies begin to intersect with his own life, blurring the line between his stories' worlds and his own failing existence. Will he ever be able to figure out the story he wants to tell? A throughly entertaining character study that is reminiscent of Walter Mitty's world.

A disabled child living with his parents tries to relate emotionally to other members of his family.

Khosro, a pop singer, lives a hectic life with his wife Tina and their son Moez. His life is further complicated when he begins a love affair with a female fan. A terrible event ensues obliging the lovers to each recount their side of the story in pursuit of the truth.