Acting
Maria Esperança is a Brazilian telenovela produced by SBT and originally broadcast from March 26 to August 7, 2007. It is a Brazilian adaptation of the Mexican telenovela María Mercedes (1992), created by Valentín Pimstein and based on the original story Enamorada by Inés Rodena. Adapted by Yves Dumont, with text supervision by Henrique Zambelli and Thereza di Giácomo, the telenovela stars Bárbara Paz and Ricardo Ramory. The story follows Maria, a humble young woman who sells flowers on the streets to support her family. Her life changes when she meets Eduardo, a wealthy man who marries her to protect his inheritance and challenge his greedy relatives. After his death, Maria becomes the heir to his fortune and faces the hostility of those who want to take everything from her. Amid secrets, betrayals, and family conflicts, she discovers love and learns to fight for her happiness.
Vende-se um Véu de Noiva is a Brazilian telenovela produced and broadcast by SBT from June 16, 2009, to January 9, 2010. It is based on the radio serial of the same name written by Janete Clair, which was also adapted into the 1969 telenovela Véu de Noiva by TV Globo. Created and adapted by Íris Abravanel, with collaboration from Jaqueline Vargas and Yoya Wursch, and directed by Del Rangel, the telenovela stars Day Mesquita, Daniel Alvim, Elaine Cristina, Marcos Winter, Thaís Pacholek, and Zé Carlos Machado. The story follows Maria Célia and Rubens Baronese, a couple whose lives are changed by a tragic conspiracy involving Maria's cousin Eunice, who plans to take away their newborn child. Years later, the consequences of this crime affect their families, revealing secrets, betrayals, ambition, and the struggle for truth, justice, and reconciliation.
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- The bathroom is under maintenance. - Luiz answers, holding the handle with all his strength. - Under maintenance? Stop the fucking talk, open the door! - The bathroom is under maintenance, look for another one, please. - What do you mean?... open the door right away, I want to pee, dude! - Hey man, can you call the coordinator, please...
When a child is forced to become the house's adult because her father is sick and her mother is dead, there's an inversion in the natural order of things. Childhood becomes a saga. And the frustrated parenthood turns into a conviction.
A couple decides to have a free pass to be with another person without it being considered cheating, causing them to question the terms of their relationship. Maia and Caetano have been living together for a year and, upon signing a cohabitation agreement for their health insurance, they experience the true impact of monogamy. During a game with friends, they both choose one that is permitted for themselves. However, when the hypothetical situation becomes reality, they rethink the limits and desires of their relationship.
Francisca and Carlos struggle to adapt to their new reality after the suicide of their only son, Felipe. Immersed in fantasies, fears and melancholy, the couple go through radical experiences. Carlos moves into Felipe's old apartment, alienating himself in the world of his dead son. Francisca, haunted by guilt, dedicates herself to unraveling the enigma of suicide.
Bernadinho and Pedro are students and face the classic tasks of fulfilling school obligations, taking good grades, being well behaved and complying with school rules, increasingly elaborated thanks to director Ademar. Frustrated, Pedro ends up finding a diary of how to cause chaos in school without being caught, which leads the two friends to follow the tips of the notebook.
Three women, three stories, one friendship. In “Old Friends”, we follow the conflicts of Lurdinha, Violeta and Maria Antonia. Their story take place in the present day and in the past, between 1970’s – 2018.
Count Ysefer is a vampire of over a thousand years old, abandoned in Romania by the witch Misti, his great love. In addition to living in the shadow of Count Dracula's fame, Ysefer has just been bought at an auction by an Internet woman. Not only bought, humiliated, but also sent to a strange world called Brazil, more precisely to Avenida Paulista, in São Paulo. After night falls, Ysefer emerges from her coffin to find Misti nearby, living with a woman named Augusta. The vampire will not rest until he finds his beloved-hated sorceress, even if for that he needs to join the strangest beings of the night in São Paulo.
Lucia understands the world through sounds. She, as the people the surrounds her, struggles in the pursuit of relating with others. Her particular perspective, however, will turn that gap of communication even bigger.
