Iban del Campo
Directing
Biography
Iban del Campo discovered cinema thanks to an Erasmus scholarship that took him to study in Paris. After taking the Master’s in Creative Documentary at Pompeu Fabra University, he returned to Donostia, where he founded the production company Limbus Filmak. He has directed and produced several short films, and his first feature film, 'Glittering Misfits' (2019), won a special mention from the Irizar Basque Film Award at the San Sebastián Film Festival.
Known For
A yacht sets sail with three people on board. Two women and a man form a triangle as strange as it is mysterious. Swimming in the high seas, nighttime conversations and sexual tensions. A feverish sleeplessness and the need for freedom will mark the direction of their navigation.
Sorbeltza
A female Basque virologist spends lockdown in a state-of-the-art laboratory to try to find a coronavirus vaccination.
Serendipity
Dirty Martini and Tigger!, stars of the New York underground scene, reveal some of the secrets of their provocative and remonstrative forms of artistic expression in New York’s Off-Off-Broadway. Meanwhile, they will help us to understand from their everyday intimacy the reasons, the struggles and the keys that keep them in their place as the figures and references of the burlesque revival, more than 20 years after the phenomenon exploded in the New York of the 90s.
Glittering Misfits
Widely considered the king of the modern boylesque movement, Tigger! is a Stripperformance Artist based in New York City.
Tigger!
A fantastical exploration of the allure of interplanetary travel, spun from a striking combination of archive material and Super 8 film stock.
The Great Expedition
No description available.
El futuro testamento
Based on a personal experience of one of the directors, this film is an ironic tribute to the famous hidden camera television show called "Taxicab Confessions", and to New York City.
Interior Taxi Night
A filmmaker leaves home with his camera. He wants to film a black swan, but it doesn’t appear, and his small project becomes a grand illusion. How can we explain cinema that doesn’t exist, cinema that speaks of nothingness, or cinema that dies along the way? Iban del Campo searches for a black swan and doesn’t find it. Yet, meanwhile, life goes on… And he has a camera in his hand and many files on his hard drive.