Camille de Casabianca

Marcello Mastroianni, Isabelle Adjani, Alain Delon, Martin Scorsese, Woody Allen... the biggest stars in cinema were welcomed by Christian Defaye on his show Spécial cinéma. Between intimate confessions from actors and immersion in the world of the greatest filmmakers, Christian Defaye took viewers on a journey into the fascinating world of cinema for nearly thirty years.

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In this drama that alludes to the Algerian War with France of the 1960s, Thomas is a deserter from the French Foreign Legion who is on the run from authorities. He helps damsel in distress Dominique, who has been taken hostage by a group of terrorists. Thomas is wounded but manages to escape after killing the guard who inflicted the injury. Dominique gives Thomas money to escape to France after he secures her freedom, but he is caught between the Foreign Legion and the terrorists seeking revenge.

The life of little St. Therese of Lisieux, depicted in minimalist vignettes. Therese and her sisters are all nuns in a Carmelite convent. Her devotion to Jesus and her concept of "the little way" to God are shown clearly, using plain modern language. A sense of angelic simplicity comes across without fancy lights, choirs, or showy miracles.

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A man walks a length of railroad track, looking for his elderly mother whom he believes fell from the train at some point. He brings his daughter along.

In this mainstream French comedy, a television writer creates a hit series based on the experiences of her housekeeper. The writer Nathalie does this in desperation as she has a deadline and is utterly blocked. She goes to Petlet and begins transcribing her memories of the lively goings on in her rural home village. Each memory is an episode in itself, and the show becomes a smash hit, but when Petlet realizes that her boss has been cashing on her life stories and taking all the credit, she gets angry and quits leaving Nathalie with no maid and no one to watch her children. Later Petlet's adult children demand that their mother return to demand credit and a piece of the action. But Petlet remains undecided.

When Valérie's husband Yves confesses he's in love with another woman, she happens into a judo club and begins lessons. She likes it, she's a natural, and she's attracted to Bruno, the quiet instructor. He likes her as well, but sees social class as a barrier, and Yves never seems to be too far away. Valérie's two close friends have their own stories: Annette is continuously looking for a husband, with little luck. Clara cares more about wealth and power, and takes up with the country's finance minister, an older man who flips for her. Meanwhile, Yves's lover doesn't seem in a hurry to leave her husband, so Valérie looks good to him from time to time. Will Bruno ever make a move?

A crime story set in Paris about a Bonnie-and-Clyde couple -- how they got together and how they are pursued for a murder they never committed.

A clique of four young teachers at a high school looks critically at their colleagues. To avoid falling in the same routine, they bring new ideas into the school lessons and play little games and pranks in their spare time -- sometimes get even more childish than their pupils. When they get opposition from the other teachers, they play tricks to get rid of them.

In this melodrama, a woman whose husband has begun seeing a wholly unsuitable woman runs away and attempts to support her son and herself by doing construction work. Many years later, after the death of his mother, the boy makes his father's acquaintance once again.

The unique distinction of this standard comedy drama is that it is the first foreign, feature-length movie filmed in mainland China. Novice director Camille de Casabianca obtained permission from the authorities and set up her story around Valerie (Christine Citti), a woman who follows Yves (Yves Renier), the man she loves, to China. Yves is a journalist assigned to report on Western tourists behind the Bamboo Curtain, and it is an unintentionally comical group of tourists at that.

From his diary, filmed over ten years, filmmaker Alain Cavalier invites us to a meditation on old age, weakness and death. Made of moments of life, fragments of images, this film composes a mosaic where the spectator is invited to also find his place by himself...

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Bob Rafelson: Self-portrait

How do those who may die tomorrow live? Camille visits Louis and then Rosa. These images, shot by Raymond Depardon and Patrick Blossier, introduce her approach. In a playful intimacy, she then begins to film Germaine.

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Within the French judo team, which accepts a camera for the first time, Larbi Benboudaoud, the great favorite, prepares the next world championships. Every day, he sharpens his body and his mind for the fight. The competition is tough. Will he keep his title?