Amelia Font

In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on

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Operetta in two acts. A production by Teatro Arriaga de Bilbao, co-produced by Teatro Campoamor de Oviedo, Teatro Calderón de Valladolid and Teatro Español de Madrid.

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Considered the greatest musical success of Pablo Luna's career, this operetta was released at the end of 1923 in El Teatro de la Zarzuela. Many consider it the best of his compositions, bolstered by an inspired and amusing libretto. After its premiere, it went on to be produced in Cuba, Mexico and continued its life cycle on stage until the 1950s.