M. Karunanidhi

A young man saves the daughter of a zamindar when she is kidnapped and then they both fall in love with each other.

The king of Mullai nadu appoints Veera Mohan as the General of the army. Raja guru, the head priest and Parthiban, his son are enraged by this decision. This turns Parthiban into a bandit.

Panam (English: Money) is a 1952 Indian Tamil-language film, directed by N. S. Krishnan. The film stars Sivaji Ganesan, Padmini, N. S. Krishnan and T. A. Mathuram in lead roles. The film had musical score by Viswanathan–Ramamoorthy

A 1987 Indian Tamil film, directed by S. A. Chandrasekhar and produced by S. S. Neelakantan and Shoba Chandrasekhar.

Kannamma, a sensible girl from a poor neighbourhood loves mechanic Durai. When she gets adopted by a rich older man due to a strange twist of fate, Kannamma finds herself in a golden cage, unable to see her beloved. Does she rebel or accept her fate?

A 1987 Indian Tamil action drama film.

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Ponnar Shankar is based on historical novel written by Kalangir M. Karunanidhi. Story is about the two warriors, both are brothers named Ponner and Sankar living in Kongu Nadu (present day Coimbatore, Erode etc..). This is a historical movie and these two warriors are even worshipped today at most of the above mentioned part of Tamil Nadu.

The story revolves around Selvam, an easygoing youngster who befriends many girls without the intention of marrying any of them.

Palaivana Rojakkal is about the struggle between corrupt politicians and angry heroes.

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When a king needs a sculptor for his temple, his son finds one named Iniyan. Thereafter, Iniyan meets and falls for an elusive dancer named Chamundi without knowing the truth about her.

Karky works in a shipyard owned by Rajanayagam, a feudalistic industrialist who imprisons his workers in the factory compound and refuses to allow them to have any link with the outside world. How Karky unites the workers and leads them to freedom is what the movie is about.

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Kadhiravan and his friend, Mohan, fight against the atrocities of a corrupt politician. Mohan gets killed and Kadhiravan plots revenge against the politician and his men.

Manohara produced by M. Somasundaram. The Sivaji Ganesan-L. V. Prasad production was distinct, becoming a cult classic. Karunanidhi virtually rewrote Mudaliar’s play, introducing interesting changes like the climactic sequence for which he drew inspiration from “Samson and Delilah”, especially the part where the blind Samson pushes the pillars down. Mu. Karunanidhi’s writing was superb with a contemporary touch. His dialogue had punch, satire, wit and humour. Sivaji Ganesan was excellent in his dialogue delivery and P. Kannamba who played the queen mother was equally brilliant. Her line, ‘Poruthathu podhum, pongi ezhu, maganey’, became quite famous.

A man, who goes from rags to riches, forgets his humble past. However, his daughter's loyalty towards her poor and sick husband proves an eye-opener for him.

Rivalry between two gangsters is at its peak when the henchman of one of them falls for the daughter of the other. It remains to be seen as to who wins the battle between love and hatred.

Set against the backdrop of World War II, three brothers are separated by war while their sister Kalyani faces immense struggles after being widowed and left destitute. As each sibling endures hardship and societal injustice, their paths cross in unexpected ways, culminating in a dramatic courtroom trial that exposes the harsh realities of their world and sets the stage for a powerful family reunion.