Simon Reggiani
Acting
Known For

In a lively shopping center, proprietors and customers are bustling, including three women vying for a man's heart with song and dance.
Golden Eighties
Actor and singer on the decline, Sergio, alcoholic, goes adrift. His son, Simon, undertakes to make a film with and on him, to try to bring him back to life, "by force with others"
De force avec d'autres

300 kilos of heroin have disappeared in Necrocity, a city of terror—a city of night—where Captain Speed has a gang and the government hides the dead. An experimental crime film considered to be a landmark of Parisian underground cinema.
In the Shadow of the Blue Rascal
The first emotions in love with a young man of seventeen: Thomas who understands that his life belongs to him at last. Four young women contribute to his sentimental education.
Under the Stars

Sandrine dreams of becoming a singer in Paris but for the time being she is only a salesgirl at Tati's and lives in a second rate hotel under the careful eye of Ahmed, the night watchman. One day, she meets Gérald, her brother's former boyfriend, who persuades her to move into his apartment. He soon takes control over Sandrine's life, organizing erotic rendezvous for her, taking her to her clients and waiting for her until she is through with her task.
The Rock of Acapulco

A low-income housing estate in the south of France, at the time of the soccer World Cup. The daughter of the leader of an extreme right-wing party sets out to discover the world of the fans.
La Finale

No description available.
Les Idées fausses

Basse Normandie is based on actual events. Protagonists Simon Reggiani and Patricia Mazuy are also husband and wife in real life. They filmed the creation of one of Simon’s plays, and then reenacted some of the events surrounding it. Simon prepares for a one-man show that he will perform largely on horseback, including dressage. The local government of the region hopes to use the play to improve its image; with government’s support, it’s decided that Simon will perform the play before an audience of over 1,700 farmers during an agricultural congress in Paris. The director of a large stud farm provides Simon with rehearsal space. What follows is the path that Reggiani had to take in order to create his performance — a path filled with obstacles ranging from uncooperative stable staff and a grumpy horse to vocal problems. An intriguing and occasionally absurd mixture of filmed theater, a making-of documentary, mockumentary and dressage lesson.