Henri Herré

An unsentimental elegy to the American West, Sweetgrass follows the last modern-day cowboys to lead their flocks of sheep up into Montana's breathtaking and often dangerous Absaroka-Beartooth mountains for summer pasture, revealing a world in which nature and culture, animals and humans, vulnerability and violence are all intimately meshed.

The story of a few couples who have arrived at a point of no return whose history will cross, mingle or fall apart.

Lunettes and Myope: two ways of resisting the world. Identical and opposites, face to face or, more often, back to back, in a small room in a timeless space. Twins and adversaries, these two girls make one: Lunettes uses her glasses to help her understand the world, or at least accept it; Myope can't see, except within herself, and lost in her blurred, but sharp, experience of the world, rebels continuously. Incited by Lunettes, Myope creates (in the same city and climate, but in another dimension) two characters: Pierrot and Agathe. To a certain degree, these two are a disjointed response to Myope, Lunettes, neighbors, and distant representatives. It's very hot. The inhabitants are interested in fountains and shadows. They build cool cabins, hanging curtains over the balcony balustrades. Asphalt sticks to the soles of sandals and when the wind blows, the canopies flap above the café terraces.

A young couple comes to spread on Easter Island the ashes of a brutally deceased brother. They are held back by a strike on this earth, the most isolated in the world. The couple breaks up and is rebuilt in contact with this sublime island.

A short film explores the fantasy and taboos of a young girl's thoughts in the context of routine everyday family life.

The sky seized, squared, taken possession of by surveillance cameras. The sky seized, discerned, embraced by a man and a woman.