Ernest Pipó

With her mother's diary in hand, Marina's search for official documents for university leads her to her biological family on the Atlantic coast. What starts as an administrative quest reveals long-buried family secrets.

After her mother's death, six-year-old Frida is sent to her uncle's family to live with them in the countryside. But Frida finds it hard to forget her mother and adapt to her new life.

Carla is pregnant and naked, imitating the poses her mother took when she was pregnant with her. Sunlight filters through the windows. You see pictures in Super-8 of mothers and fathers, grandmothers and grandfathers, smiling, sewing, reciting poems. Then, a young girl travels from the Sixties to the Eighties, until today, crossing the thresholds of femininity and history, until the meeting with Carla by the Blue Sea of Catalonia and with Manel, Carla's newborn son.

Edu is dancing in a bar when Alex comes looking for him. He has some news that will have a profound effect on Edu.

In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.

Jordi, a 78-year-old widower, lives with his parrot, Pitu, and the loneliness of grief. Everything changes when he begins interacting with an AI, which he calls Nil. Their daily conversations give meaning to his days and have resulted in fifteen books. A tender portrait of aging, loss, and new forms of friendship in a digital world.