Directing
Journalist Pedro Bial discusses the most important current news in Brazil and in the rest of the world.
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Caught between family life and his obligations to the criminal underworld, Nando faces an impossible choice about where his true loyalties lie.
Told through three different characters' perspectives, the story of Sintonia explores the interconnection of the music, drug traffic, and religion in São Paulo. In the quest to be somebody, many paths will converge.
Set in a dystopian Rio de Janeiro, where the urban reality consumes the mental health of those on the periphery. The plot follows a young man who did not choose conflict, but is forced to inhabit it. On screen, the protagonist manifests in simultaneous versions (child and adult), drawing on elements of nature and ancestry to re-enchant a dehumanized world. The visual construction leans into an aesthetic that oscillates between the hyper-realism of urban textures and the metaphorical distortion of a world in collapse, creating an experience that is simultaneously visceral and poetic. Although it visually engages with the urgent themes of our time, the aesthetic of armed conflict functions as a metaphor for the invisible battles each person faces within themselves. The final revelation reframes the entire journey: the war the protagonist moves through does not take place in the outside world, but inside his own mind.
Three brothers grow up under the same roof in the outskirts of Sao Paulo and take three different paths: one becomes a musician, one becomes a lawyer, one enters crime. Told in three acts - the music, the crime and the justice - the film follows how far they drift apart and what still binds them together. Shot over four days between Heliopolis and Sao Bernardo do Campo, it accompanies the second album by Brazilian artist Hodari.
Curitiba's rapper Karol Conká participated in the 21st edition of Big Brother Brasil and was eliminated with 99.17%, the biggest rejection in the history of the reality show. During her participation in the game, the singer was massively criticized for her attitudes and comments towards other participants of the house, such as Lucas Penteado, Juliette Freire, Arcrebiano and Carla Díaz.
The second live album by Brazilian alternative rock band Charlie Brown Jr.
