Saula Benavente

In the 70s, Mario Mactas, a prominent journalist for the magazine Satiricón, went into exile in Barcelona due to political repression in Argentina. His return introduced a unique vision of current affairs, challenging conventions still in force in the digital age.

Brisa’s daily life alternates between the world of show business, appearances, and the stark reality presented by his son Hilario, who fell into poverty as a result of his addiction to drugs. The film portrays an intense fragment of Susana and Hilario’s story, the difficulties that arise when she tries to keep her professional commitments, the elegance with which she manages to avoid the low blows and her pain; but, fundamentally, the film reveals how this woman faces a difficult process without losing her dignity or sense of humor.

An enthusiast pioneer founds a city full of alchemical symbolism. A gentleman is named Grand Master of the Lodge of the Eastern Knights. A writer publishes the frst utopian novel of Uruguay. An entrepreneur builds castles, churches, hotels and palaces that will have different destinies. The pioneer, the Knight, the writer and the businessman are the same man: Francisco Piria.

No description available.

No description available.

The arrival of the Russian State Circus in Argentina in 1966 was an unprecedented event. For the first time, Soviet artists crossed the Iron Curtain into Latin America. Their art was unsurpassed, until in the 1990s, with the perestroika and the Soviet collapse, the circus also disappeared.