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Myriam Schroeter

Production

Biography

Myriam Schroeter is an award-winning producer whose work spans the commercial and narrative realms. She currently runs her own production company, Putshki. She is a graduate of Northwestern University and resides in Brooklyn.

Known For

Sorry, Baby
6.8

Agnes feels stuck. Unlike her best friend, Lydie, who’s moved to New York and is now expecting a baby, Agnes still lives in the New England house they once shared as graduate students, now working as a professor at her alma mater. A ‘bad thing’ happened to Agnes a few years ago and, since then, despite her best efforts, life hasn’t gotten back on track.

Sorry, Baby

2025
Sing Sing
7.4

Divine G, imprisoned at Sing Sing for a crime he didn't commit, finds purpose by acting in a theatre group alongside other incarcerated men in this story of resilience, humanity, and the transformative power of art.

Sing Sing

2024
The Man I Love
6.5

In late 1980s New York, a theater artist living with AIDS takes on one possibly last great role.

The Man I Love

2026
Between the Temples
5.6

A grief-stricken cantor in a crisis of faith finds his world turned upside down when his grade school music teacher re-enters his life as his new adult Bat Mitzvah student. The two forlorn souls develop a special connection.

Between the Temples

2024
Lost Children: Kate & Bill
8.0

Desperate to have children, Kate has been undergoing excessive infertility treatments, only to discover Bill has been hiding a secret that may change everything.

Lost Children: Kate & Bill

2018
No image
N/A

30-year-old Josephine falls in love with guys for their charm, their compassion, but more importantly, for their moms. Oh their MOMS: there's Ms. Collins, mother of Nate, with whom she wanders in museums and meticulously attends wine tastings; Michelle, Jake's mom, who bakes the most amazing butter cake and always makes sure to save a piece for Josephine, and last but not least; Bianca, Felipe's mom, who has Josephine's number on speed-dial and makes sure to use it. To Josephine, these mothers fulfill something in her that their sons are incapable of fulfilling. To what lengths will she go in order to find her next mother?

Milking It

2015
Gramercy
5.0

Shaq, a young man grappling with depression, returns to his New Jersey hometown, where his exploration of grief and brotherhood transforms into the imagining of an inner life.

Gramercy

2020
Lightning Bug
N/A

When a family dinner spirals into theatrics, retired actress Lydia must take control of the situation.

Lightning Bug

2025
Variables
N/A

In the middle of the Bosnian War, a 15-year-old math wiz is given a way out of the bloodshed when his math club gets an invitation to compete at the International Math Olympiad in Canada.

Variables

2019
Good Grief
N/A

On a road trip to scatter her dad’s ashes, Nora’s family does a substandard job of paying their respects.

Good Grief

2021
Dead Serious
N/A

A mother surprises her kids with a trip to the place she wants to be buried. When they get there, the kids disagree with her decision.

Dead Serious

2025
Lake Forest Park
N/A

A coming-of-age film about a group of outsider teenagers in Seattle dealing with the consequences of accidental gun violence in their hometown.

Lake Forest Park

2021
Bubblegum and the Texas Belt Buckle
N/A

While a grieving teen seeks revenge on the local townspeople, his odd behavior draws the sympathetic eye of a curious young woman.

Bubblegum and the Texas Belt Buckle

Love, Barbara
10.0

Through interviews with her partner cum archivist, Florrie Burke, this delightful homage celebrates the life and love of iconic lesbian experimental filmmaker Barbara Hammer and the deep imprint that she made on the world.

Love, Barbara

2022
Ruby Nell Sales
N/A

“How do you make sense on an emotional, intellectual, and pragmatic level of the visual residue one leaves behind?” This is a pivotal question for Adam Pendleton’s recent abstract paintings on view here, which involve a process of accumulation in which the surface of the canvas teems with sweeping gestures, language, drips, splatters, and moments of erasure in a reflection of how we evolve in life. Pendleton has explained that these works “verge on the monumental; they can take months to make and capture a deep history of marks and impressions. Minor moments become major moments because of how they articulate who we are or who we might be at any given moment. It’s a visual poetics of disruption.” These paintings, Pendleton has suggested, ask: “how do you leverage, subvert, and deploy your subjectivity? We all are doing it all of the time. It becomes more interesting when we’re aware that we’re doing it.”

Ruby Nell Sales

2022